CMU School of Drama


Wednesday, January 17, 2024

Review: Tania El Khoury’s ‘Cultural Exchange Rate’

Observer: The lights have been dimmed. On the ground floor of the Invisible Dog, benches, a coat rack, a table, a chandelier and stacked lockers arranged in an L-shape have been tightly organized and greet us in an otherwise large space that fades into darkness. The chandelier contrasts with the industrial make of the Boerum Hill building, exuding an uncanniness that echoes throughout the performance’s theme. This is the New York City premiere set of Tania El Khoury’s “Cultural Exchange Rate,” which engages with identity, belonging and exile.

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