Center Theatre Group to Launch 2026/27 Education and Engagement Programs

BroadwayWorld: Center Theatre Group has announced its 2026/27 “Back to School” programming featuring a slate of education and engagement programs for students, educators and schools, and community members throughout Los Angeles. Since its founding, Center Theatre Group has engaged the next generation of theatre audiences, artists, and administrators through educational programming, community engagement, and opportunities to experience the joy of creating theatre.

ARDIS to demo all-in-one software platform at WMS 2025

Woodworking Network: ARDIS offers a software platform designed specifically for the woodworking and interior manufacturing industries. Its suite connects and optimizes every step of production — from planning and inventory to machining and finishing — giving manufacturers complete visibility and control. The system combines advanced panel optimization, smart inventory management for panels and offcuts, seamless machine integration across mixed brands, and full control visibility and control over production.

Lincoln Center to offer free programming in NYC and online

DC Metro Theater Arts: To make the arts more accessible to everyone, Lincoln Center for the Performing Arts has announced an exciting spring season of free and choose-what-you-pay programming, beginning on Sunday, February 27, and running through Wednesday, June 15. The extensive roster will feature both in-person and virtual performances, discussions, and civic activations, bringing together dozens of arts organizations and artists from across NYC and beyond to explore the intersection of culture, civic engagement, and community-building through vibrant and varied weekly programming.

DiGiCo Quantum7 and SD12 Pair Loaded with KLANG Immersive System Give the Clients at Sixth Sense Creative House an Extrasensory Experience

LightSoundJournal.com: COVID-19 has changed everything. “This pandemic has forced creative people to have to get creative about everything, even things we usually take for granted,” says Tom Worley, Operations Manager at 3G Productions, Inc. (“3G”), a leading live production, sales, and systems integration provider. Thus, this summer 3G turned its Los Angeles facility into Sixth Sense Creative House, a flexible production space able to accommodate live events, film and audio recordings, and live streaming from its sound stage.

ETC introduces The Hamilton Programming Project for Eos Augment3d

LightSoundJournal.com: As the world waits for venues and productions to reopen, lighting students and professionals alike have turned to the virtual realm to hone their skills. Now, ETC has partnered with an award-winning Broadway lighting team to create a new educational challenge: The Hamilton Programming Project. Participants will use actual touring paperwork from the hit musical to finish prep on an Eos show file and recreate Howell Binkley’s Tony Award®‐winning lighting looks – all in Eos Augment3d.

Achieving the Ideal Beam Field with the Touch of a Button

Techie Talk: As lighting manufacturers continue to push the boundaries of what is possible in luminaire technology, the practical application of that technology falls upon the designers and technicians. With many different lighting designs and a myriad of applications worldwide, not all designs require the same characteristics from fixtures in their rigs.

ETC introduces new audio learning series: On Headset

et cetera...: We’re excited to introduce ETC’s On Headset, a new audio series that allows listeners to program in real time with a lighting designer as they construct the look of a major theatrical production.

A Designer's Eos Toolkit (Part 2): Patch, Color Palettes, Beam Palettes

et cetera...: Welcome to Part 2 of this blog, where I’m sharing secrets from my Eos template file.

For a full exploration of how and why I use a template file in my workflow, check out Part 1 .

In this post, we’ll explore some of the components of my template file and how I use them.

Philly Opera works to avoid ‘sophomore slump’

New Pittsburgh Courier: When Opera Philadelphia launched a radical new programming format last year, general director David Devan knew there was “a potential for an emperor has no clothes.”

The idea was to create a festival of innovative work that packed five different operas — three of them world premieres — into 10 days of virtually nonstop activity.