Community, Leadership, Experimentation, Diversity, & Education
Pittsburgh Arts, Regional Theatre, New Work, Producing, Copyright, Labor Unions,
New Products, Coping Skills, J-O-Bs...
Theatre industry news, University & School of Drama Announcements, plus occasional course support for
Carnegie Mellon School of Drama Faculty, Staff, Students, and Alumni.
CMU School of Drama
Saturday, June 14, 2008
More on Slammiversary Tragedy
Holland filmmaker helps people learn trades needed on sets
She has built and sold houses, painted parking lots, waited tables, tended bar and even assisted doctors performing surgery.
Finally, at age 39, Lilley believes she has found her calling. The Holland woman has decided to pursue a career in the motion picture industry -- right in her own hometown."
Actors’ strike would disrupt Mass. film making
But this state’s movie industry won’t be as fortunate if the Screen Actors Guild goes out on strike after its contract with a consortium of TV and film studios expires on June 30."
Next Blue Man Group act: Bargain with union
Blue Man Group Ordered to Bargain with Las Vegas Stagehands
Scharff Weisberg At Pittsburgh’s Carnegie Museum Of Art | Jun 2008
Brain Storm
Q+A With High End Systems On The Acquisition By Barco
Barco Acquires High End Systems Inc. | Jun 2008
Out of this Furnace
A tough season on Broadway
Carnegie Mellon Carnival 2008 -
'Sit Down' writers striking at Sony
J-o-b - technical
Julie Ray
Head of Design and Production
Department of Theatre Arts
University of Pittsburgh
412.624.6764
jaa28@pitt.edu
New Course
Fall 2008
99-305: The Year is 1905
Organization and Expectations
Tuesdays, 6:30 to 8:30 PM
Instructors: Gregg Franklin and Indira Nair
This course is designed as an exploration of Einstein’s life and work, especially the work he did in 1905, often called Annus Mirabilis, or “Miraculous Year” because of his work that changes the face of physics. It is designed to introduce you to the conceptual frameworks of physics and the history of physics along the threads of intellectual inquiry that led to the 1905 works.
Introduction to Course
Our hope: That you gain an understanding of:
--the scientific work Einstein did, particularly in 1905; the historic and scientific context, eventual implications in society; Einstein’s way of thinking, his conceptual foundations, beliefs, creativity and leaps of insight
-- Several concepts such as energy, force, field, photon, quantum, conservation-- the development in physics in the early part of the twentieth century—the birth of quantum physics, relativity. The historical progression leading up to these.
-- Frameworks of the culture and sociology of science, including ethical and other aspects – science as a process
--the process of the doing of science, how it has changed over the last century and implications of this
-- Einstein, Heisenberg, Bohr and Oppenheimer and others as scientists and as people of their time.
To this end, we have followed some precepts in preparing the readings and planned to course to —
- Provide the history and stories of how the ideas came to be
- Provide some original “voices” to show progress in thinking in the words of people who made the science happen
- Provide frameworks in the history and philosophy of science
- Return to a topic or theme at various times in the course so you build a structure for yourself that integrates the themes
- reinforce the readings and discussions through class writing and discussion and assignments that help you recapitulate a theme in a new context so the integration takes place.
Books Required
1. David Bodanis, E = mc2: A Biography of the World’s Most Famous Equation, Berkley Publishing, 2000. (E= mc2)
2. Walter Isaacson, Einstein, (Einstein), paperback editionSimon &Schuster, 2008.
3. Reading Packet (to be bought from Cathy Ribarchak, Warner Hall 6th Floor); Will announce when ready- Cost: payable by check to Carnegie Mellon, $25.00 (copyright and copying) when you get readings from Cathy.
4. Another staple reference is the website of the American Institute of Physics, www.aip.org
In particular, see http://www.aip.org/history/einstein/
CFA Announcements
Carnegie Mellon's Miller Gallery Holds Largest Exhibition Of Quilt Artist Nancy Crow's Work, June 12Aug. 15________________________
The Regina Gouger Miller Gallery at Carnegie Mellon University presents "Nancy Crow: Works from 1988-2008," featuring more than 50 quilts that make it the largest exhibition ever of Crow's work. Former Miller Gallery Director Petra Fallaux curates the summer exhibition, which opens with a reception from 5 to 8 p.m., June 12, and runs through Aug. 15.
At 7 p.m., June 11, Crow will lecture and sign copies of her books in McConomy Auditorium in the University Center.
Link to the press release: http://www.cmu.edu/news/archive/2008/May/may19_crowexhibition.shtml
Link to Nancy Crow's web-site: http://www.nancycrow.com/
Nancy Crow: Works from 1988-2008
Upcoming Exhibition
Nancy Crow: Works from 1988-2008 curated by Petra Fallaux June 12-August 15, 2008
Opening Reception: June 12, 5-8PM
Nancy Crow Lecture with booksigning afterwards: June 11, 7PM McConomy Auditorium at the University Center Free, no registration required Co-sponsored by the Fiberarts Guild of Pittsburgh
The Regina Gouger Miller Gallery at Carnegie Mellon University presents Nancy Crow: Works from 1988-2008 featuring over 50 quilts and making it the largest exhibition ever to be organized of Nancy Crows work. The exhibition, curated by gallery interim director Petra Fallaux, will run from June 12 through August 15, 2008 with an opening reception June 12, from 5-8pm. Nancy Crow will lecture followed by a booksigning on June 11, at 7 pm in McConomy Auditorium in the University Center.
Rather than assembling a greatest hits compilation or chronological survey of Nancys career, Nancy Crow: Works from 1988-2008 will present the works with an eye towards uncovering the artists process of discovery in these pivotal years. The exhibition includes examples of the Bow Tie, Chinese Souls and Linear Studies series, as well as over thirty works from the Color Blocks and Constructions series, including new quilts that have not yet been exhibited or published.
Between 1988 and 2008, we witness artist Nancy Crow taking control of the color luminosity of her fabrics, while freeing herself from the straightedged ruler. By exclusively mixing her own dyes and applying them in multiple applications, Crow brings out the utmost intensities and subleties in color values and hues. Having mastered the art of free cutting, she at the same time achieved a compositional freedom that made new constructions with dazzling lyrical lines and authentic shapes possible.
Nancy Crows vocabulary is now easily recognized as a distinctive language of quiltmaking, analogous to the languages developed by master painters, star architects, or the musical phrasings of great improvisational jazz musicians. From subdued hues to exuberant and intense palettes, from fast and furious complexity to spare and intricate tri-color compositions, Crow fine-tunes her final compositions with dead-on precision. The artists scrupulous honesty and unwavering dedication to her art make her one of the most authorative as well as genuine voices in contemporary art today.
Visit Nancy Crow's website at http://www.nancycrow.com
Nancy Crow
Constructions #83: Anxiety! 2006 to 2007 79.25"x81.5"
Nancy Crow
Constructions #84: No! 2007 75"x70"
Nancy Crow
Markings#8: Broken Quiet 2006 to 2007 55.5"x60.75"
---------------------------------------------------------------------------- The Regina Gouger Miller Gallery is located on the Carnegie Mellon campus. Hours of operation are 11:30 a.m.5 p.m. TuesdaySunday. Visitor parking is available in the East Campus Parking Garage, located on Forbes Avenue just east of the Morewood Avenue intersection.
Exhibitions at the Miller are supported in part by a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania, individual sponsors, the School of Art and the College of Fine Arts at Carnegie Mellon.
For more information contact Regina Gouger Miller Gallery 412.268.3618 or go to http://www.cmu.edu/millergallery. For more information on the College of Fine Arts contact Eric Sloss at 412-268-5765 or email ecs@andrew.cmu.edu.
Regina Gouger Miller Gallery | Carnegie Mellon University Gallery Hours: Tue.Sun. 11:30 am5 pm; Closed Monday
Rigging Seminars
Riggers and Rigging Companies - Lighting, Sound, Stage, & Scenery Companies
Inspectors, Consultants, Engineers, & Architects - Contractors and Installers
Venue Owners and Managers - College and University - Students, Staff, and Professors -
Manufacturers - IATSE Members
Please Mark Your Calendar!
2008 Schedule
Chicago
IL
July 14-17 2008
Seattle
WA
October 6-9 2008
Rigging Seminars is the largest and longest-established entertainment rigging training program in North America.
Who should sign up for Rigging Seminars?
Beginners and advanced riggers find the classes valuable, practical, and immediately useful.
What will you learn at Rigging Seminars?
Learn safe and efficient rigging techniques for sound, lighting, video, scenery, and special effects.
Where can you apply what you learn at Rigging Seminars?
You can apply what you learn to productions staged at theatres, circuses, arenas, stadiums, schools, hotels, museums, conference centers, outdoor venues, and studios.
Who teaches at Rigging Seminars?
Rigging Seminars is taught by the most experienced entertainment rigging instructors in America. They literally wrote the books on rigging!
Instructors:
Seattle – Jay O. Glerum and Harry Donovan will teach a combined stage and arena rigging course.
Chicago – Harry Donovan will teach an intensive arena rigging class.
Don’t hesitate! Register roday!
Need more details on hotels, our refund policy or other Information on Rigging Seminars?
Questions? E-mail us at:
riggingseminars@mac.com.
Rigging Seminars
2416 Third Ave. West
Seattle WA 98119
ph 206-283-4419
or Fax to: 206-282-9362
Toll-free: 888-248-8491
ESTA Technical Tech Track
ETCP Certificants: Many of these sessions/courses count towards renewal credits for ETCP re-certification. Look for RC-E for courses that count for ETCP Certified Entertainment Electricians and RC-R for courses that count for ETCP Certified Riggers. In order to receive the appropriate credits, you must sign the "Certificant Attendee Sign-In Sheet" which will be provided by the instructor or panel moderator at the conclusion of the training.
Handling Cryogens Safely
Friday, October 24
11 a.m. – 12:30 p.m.
Dry ice, liquid carbon dioxide, and liquid nitrogen are used extensively in creating fog effects, but there are some rules and tips for meeting regulatory requirements and for handling them safely during transport, storage, and use—and for dealing with the Authority Having Jurisdiction when the AHJ balks at having large amounts of cold, inert gas in a venue. RC-E
Moderator: Karl G. Ruling, ESTA; Panelists include
Decoding the New Fall Protection Code
Friday, October 24
2:00 – 3:30 p.m.
ANSI/ASSE Z359.1, Safety Requirements for Personal Fall Arrest Systems, Subsystems and Components, has been massively revised and four new, related standards created that deal with managing fall protection programs, safety requirements for positioning and travel restraint systems, and safety requirements for assisted-rescue and self-rescue systems, which are all packaged together as ASSE’s Fall Protection Code. Much of the fall arrest hardware used in the past does not meet the requirements in the new Code. Learn how the new Code affects fall protection systems used in the entertainment industry. RC-R
Moderator: Jerry Gorrell, Theatre Safety Programs; Panelists include Kyle Kusmer, Entertainment Structures Group; Bill Sapsis, Sapsis Rigging
Stage Roofs and Seismic Loads
Friday, October 24
4:00 – 5:30 p.m.
Portable stage roofs used for outdoor concerts need to be sturdy enough to survive modest winds and procedures need to be in place to lower them or to evacuate the area if stronger winds arise—but what do you do about seismic loads in areas where there might be earthquakes? The session will focus on addressing seismic loads for portable stage roofs used in municipalities where the International Building Code is used to evaluate temporary structures. RC-R
Moderator:
Networking Live Demo
Saturday, October 25
9:00 a.m. – 11:30 a.m.
This live demonstration of networking is a special two and one half hour session that teaches attendees how to set up and configure a data network for entertainment lighting, or other control applications in the live entertainment field. From WAPs to nodes and switched, the emphasis will be on wired and wireless Ethernet. RC-E
Moderator: Mitch Hefter, Entertainment Technology/a Philips group brand; Panelists include: Mike Lay, Strand Lighting/a Philips group brand;
Catwalks for Technicians, not Models
Saturday, October 25
2:00 – 3:30 p.m.
Everything you ever wanted to know . . . well, a lot you need to know, about the design of lighting catwalks for entertainment venues. Straight versus curved. Expanded steel versus plywood or concrete decks. What do you do when the AHJ wants a child-proof handrail, and you need to hang lights?
Moderator: Bill Conner, Bill Conner Associates LLC.; Panelists include: Robert Tooker, Production Resource Group; Charles Swift, Graham, Swift & Company, LLC; Daniel Clark, Entertainment Structures Group
Photometric Errors with LEDs, or “Caught by the Short Waves”
Saturday, October 25
4:00 – 5:30 p.m.
The standard CIE photopic luminosity function deviates from what we now believe is the response of the human eye at the violet end of the spectrum—right where some LED luminaires put out a significant amount of power. The result is that different light meters give different readings when used to measure LED luminaires, and the readings do not match what we see with our eyes. The presenters will demonstrate these measurement anomalies and how the photopic luminosity function is derived.
Panelists: Mike Wood, Mike Wood Consulting LLC; Karl G. Ruling, ESTA
Electrical Power Measurement Techniques
Sunday, October 26
9:30 a.m. – 12:30 p.m.
Electrical Power Measurement Techniques is a double-length, three-hour session that teaches attendees how to use meters safely to measure voltage, load, phase relationships, et cetera in temporary power distribution systems. Essential training for those who need to know about the power of electrical systems! RC-E
Moderator: Roger Lattin, IATSE Local 728; Panelists include: Steven Vanciel, The Walt Disney Company
Rising Above It All: Lifting Technology Pros and Cons
Sunday, October 26
1:00 – 2:30 p.m.
There are many ways to make a stage lift go up and down: Gala Spiralift, Serapid LinkLift Rigid Chain, screw jacks, hydraulic cylinders. What are the relative advantages of each, and why specify one or the other?
Moderator: Bill Conner, Bill Conner Associates LLC.; Panelists include: Jim Niesel, Arup; Charles Swift; Graham, Swift & Company, LLC;
The following courses are presented in conjunction with The ESTA
Foundation’s Seminars & Training Committee:
New This Year: Aerial Rigging at Cirque du Soleil
Thursday, October 23
9:30 a.m. – 5:30 p.m.
Class limit: 12
Off-site (location TBA)
$425 ($525 after September 19)
Aerial rigging is a signature aspect of Cirque du Soleil productions. While these systems can be very complex, they build off of basic principles with safety and reliability as top priorities. Tony Galuppi, currently the head of rigging for Cirque du Soleil’s technically challenging production, KÀ, will take participants through a one day course on the basics of aerial rigging. RC-R
Taught by: Tony Galuppi, Head of rigging KÀ/project manager of rigging, Cirque du Soleil
Target audience: Anyone interested in rigging and specifically aerial rigging as done in Cirque du Soleil shows.
Session highlights:
- Aerial rigging principles
- Safety practices
- Uses of aerial rigging equipment in the industry
New this year: Theatrical Special Effects
Thursday, October 23
9:30 a.m. – 5:30 p.m.
Class limit: 20
Off-Site at Advanced Entertainment Services
$425 ($525 after September 19)
A professional-level class on special effects application and equipment, from systems and real-life applications to compliance and safety. Each technical section will include experienced technicians expert in the area, and will include examples of functioning
equipment as well as applicable safety information. Effects covered include confetti, snow, wind, rain, water effects, atmospherics, flames, and firearms. All participants will receive a binder with class outline, specification sheets and diagrams, references, and
space for notes. RC-E
Taught by: Gregory Meeh, award-winning special effects designer, founder, and president of J&M Special Effects; and Matt Dillingham, president of Advanced Entertainment Services
Target audience: All designers and technicians interested in the creation of special effects for the stage.
Session highlights:
- Overview of special effects with illustrations from 35 years of special effects design by Gregory Meeh
- Rain bars developed for An Inspector Calls
- Use of LN2, Dry Ice, LCO2 glycol, glycerin, mineral oil
- Fuels: gas, gel, solids, fluids. Standards: NFPA 160
- Indoor pyrotechnics
Now a two-day course: Stage Rigging Fundamentals with Jay O. Glerum*
Wednesday and Thursday, October 22 - 23
Class limit: 50
$595 ($695 after September 19)
Participants must bring a copy of Jay O. Glerum’s Stage Rigging Handbook (third edition), a pad of paper, pencil, and hand held calculator.
Rigging expert Jay O. Glerum, Jay O. Glerum & Associates Inc. presents a new two-day version of his standing-room-only workshop, Stage Rigging Fundamentals, for rigging in theatres, concert halls, studios, churches, and schools. Each area of the course will be
taught in more depth and detail. RC-R
*Approved trainer for ETCP renewal credits
Target Audience: Anyone who wants to learn the essentials of stage rigging.
Seminar Highlights—the course will cover the essentials of rigging as follows:
- The physics and metallurgy of rigging
- Hardware selection and application
- Counterweight system operation procedures
Register Online for USITT-The ESTA Foundation Training
Signing up for USITT and The ESTA Foundation joint training has become even easier with online registration for the four days of training in either basic or advanced lighting programming techniques. Sessions will be held July 7 to 10 at the North Carolina School of the Arts and will be taught by Richard Cadena and Martin Eric Rimes.
The training is designed for lighting programmers, technicians, and electricians...so sign up today.
Choose from the Basic Programming Track (Expression) or the Intermediate/Advanced Programming Track (Whole Hog II). Each day builds on the information and techniques discussed the day before. Complete information is available here.
Registration deadline is June 16, so those interested are urged to act quickly. Registration forms may be downloaded here, or visit http://www.esta.org/news/eventdetails.php?eventID=119 and follow the registration link.
Make sure to use the 10 percent discount for all USITT members for this special training opportunity.
This year's MOMENTUM festival at City Theatre, taking place this weekend
(Thursday through Sunday), includes a number of CMU students and alumni,
including Stuart Carden, Chase Newell, Adam Berry, Kyle Beltran, and Tyree
Robinson. MOMENTUM is four days packed with new plays, lively discussions, a
free writing workshop, and socializing with artistic colleagues from around
the country. It's always a great and fun weekend.
City Theatre and BNY Mellon present
MOMENTUM 08
Hear a hot musical plus three new play readings and get the inside scoop
from a pack of theatre pros during City Theatre's sixth annual festival.
Thursday, June 12
6:30 pm Kickoff Reception
7:30 pm Reading of Long Story Short by Brendan Milburn & Valerie
Vigoda
Friday, June 13
6:30 pm Playwrights Panel - The momentum08 writers expose the inside
scoop on navigating a career in theatre, musical, TV, and film writing.
8:00 pm Reading of Speak American by Eric Simonson
Saturday, June 14
2:00 pm Reading of Him by Daisy Foote
4:30 pm New Play Panel: State of the Art - Tracy Brigden and renowned
dramaturgs, producers, and agents reveal what's new and most exciting in
theatres across the nation.
8:00 pm Reading of Long Story Short by Brendan Milburn & Valerie
Vigoda
Sunday, June 15
2:00 pm Reading of When January Feels Like Summer by Cori Thomas
5:00 pm Writing Workshop: Musical 101 - A workshop on musical theatre
writing by the composer and lyricist team of Brendan Milburn & Valerie
Vigoda. No experience necessary.
7:00 pm Reading of Speak American by Eric Simonson
Ticket Information
Each Event: $5
All-Event Pass: $10 (Free for City Theatre Subscribers)
All events located at City Theatre
For Tickets call 412-431-CITY (2489)
Also playing at City Theatre during the Momentum weekend:
Bust by Lauren Weedman
Thursday-Friday at 8:00pm, Saturday at 5:30 & 9:00pm, Sunday at 2:00pm
Tickets range from $20 to $46. For more information and to purchase tickets
call 412.431.CITY
momentum08 is supported by BNY Mellon and City Theatre's New Play Circle
About the Plays
Long Story Short
by Brendan Milburn & Valerie Vigoda
directed by Tracy Brigden
Based on the play An Infinite Ache by David Schulner
A hip contemporary score is the soundtrack to a couple's musical romance
from an inauspicious first date through the unforeseeable ups and downs of a
lifelong relationship.
See the reading now and the fully staged world premiere production on City
Theatre's Mainstage in October 2008.
Speak American
written and directed by Eric Simonson
In 1904 Pittsburgh, immigrant steelworkers struggle to learn the language
and ways of a new home and country, while their young English teacher learns
a lesson of her own in the dehumanizing tactics of Big Steel.
See the reading now and the fully staged world premiere production on City
Theatre's Mainstage in May 2009.
Him
by Daisy Foote
directed by Stuart Carden
Tensions mount in the modern conflict of nature vs human nature when three
siblings inherit their distant father's sanctuary, his own secret wilderness
reserve.
When January Feels Like Summer
by Cori Thomas
directed by Billy Porter
Global warming heats up the new year for two homeboys, a garbage man, an
Indian shopkeeper and her transgendered brother surprised by unexpected love
connections.
Friday, June 13, 2008
Stage review: 'Out' puts a funny spin on serious issues
Pittsburgh Playworks Lab shows off its creations
Less than a year later, he's happily proving them wrong."
Michele Lee Is Mame for Pittsburgh CLO in July
Crew Needed for Television Show
Additional FILM CREW Needed! (Action / Romantic-Comedy Film)
Mr. Smalls seeks Audio Engineer for paid summer Internship
Predictions for the Tony Awards
Work. Together. Anywhere
On the Role of Study Advice in the Age of Grade Inflation
The Week In Tools: Toolmonger Top 5
A memorial site for Kevin (Angus) Sinex
SIT DOWN, SHUT UP, NOW WALK OUT! WGA Writers Stalk Off IATSE TV Toon; Sony Kept Lying It Would Be WGA Show
Austin mapping out course of its creative future
Local arts are a big business
Performing arts flourish on college campuses
L.A. arts agency funding cut less than 1%
Lawmakers look to tweak film incentives
Mass. sees arts as vital to economy
New York's film, TV incentives could tax L.A.'s economy
The artists among us
Chekhov-Inspired Gulls Will Make World Premiere in Pasadena July 17
Sunday's Tony Awards Promise Suspense, Low Ratings
Plans Unveiled for Five Free NYC Park Productions
Actors' Gang, iActor Team Up
Tax bill would give actors their big break
Tony-contending musicals bring new audiences to Broadway
'Church Basement Ladies', the Musical, to Get Chicago Premiere With "MASH" Star
'Legally Blonde' making Elle transition
Sondheim's 'Bounce' goes Public
Thursday, June 12, 2008
Stage preview: Canadian actress joins PICT as 'Salome'
City gathers 'MOMENTUM'
Unseam'd fits classic story into its mission
MOMENTUM:08 helps tap into creative sides
Longtime director still getting to know 'Salome'
And he's not planning to sever it anytime soon.
'The plan is to keep going until we're around 80,' he says. 'You keep rediscovering things. If you are dealing with great writing and great scripts, they are worth revisiting.'"
Cast, director find 'Travels' a challenging journey
Children's theater takes 'Aladdin' in new direction
'Snow White' blends drama, comedy
Nail in Skull
Fonzie and Friends Will Tour in 'Happy Days'; Cast Album Now in Stores
Goodbye, cruel wind
'STRANGE' TALK IN TONYS
And yet, if you look closely at your Shubert Alley tea leaves, you can discern the makings of an upset or two."
NEA: Actors on the Rise in U.S.
Rocker and rapper up for top Broadway honors
Linda Stone on time management
Understanding relative coordinate input
What If Copyright Only Applied To Commercial Use?
How to Be a Productive Procrastinator
5 Must Have Tools For DIY
Front Row - A True Ensemble Performer
Music Review - Opera and Theater Stars in ‘Show Boat’ at Carnegie Hall
Comedy pilot filling various crew positions
'Xanadu' team hits 'Big Time'
Wednesday, June 11, 2008
Stage review: 'Out of This Furnace' stokes region's industrial history
Review: 'Take Me Out' scores
Richard Greenberg's play 'Take Me Out' makes the idea meaningful even to those of us who know nothing about the sport."
New plays and newcomers salvage Broadway season
NEA to direct funds to developing and producing new plays
Phony Tony Voting Blights Broadway's Big Night
$300K grant to support upgrades, green vision plan at Construction Junction
Behind the curtain at Disney World's Cirque show
The truth is that it doesn't take that much technology to make a great Cirque show, as the folks who put together La Nouba, the Cirque's show here, explained to me Tuesday."
3D Modeling: Drawing a 3D Bearing in 15 minutes » Autocad, Autolisp, Autocad Tutorial, Autocad Customization, Software Reviews, Autoca
Exhibit Designer Toolbox: The Sticky Subject Of Tape
For now, I thought I'd highlight some unusual tapes for you to add to your exhibits (and prototyping!) toolkit"
Debunking Parkinson's Law
The principle, in particular, that I’m interested in here is Parkinson’s Law. Informally, the law states:
“Work expands so as to fill the time available for its completion.”
This was the opening sentence of the humorous essay Professor Cyril Northcote Parkinson published in The Economist in 1955. The essay went on to explain the results of a study of the British Civil Service. (Click here for an expanded version of the essay published in Parkinson’s eponymous book on the subject).
Unfortunately, as we’ll see, in modern usage the study itself has been discarded in favor of this one sentence opening — a tendency that obscures its true meaning."
How to Write (in a thousand words or less)
So here, in no particular order, are 17 ways to make your marks on paper as good as they can be."
Miller’s X-Factor
‘Macbeth,’ the Scottish Play, Gets a Polish Makeover
How the Grinch Stole Christmas! to Play Boston and Baltimore in 2008
Dr. Seuss' How the Grinch Stole Christmas! The Musical, a holiday hit at the St. James Theatre (in 2007) and the Hilton Theatre (in 2006), will hit the road later this year."
National Tour of August: Osage County Launches in Summer 2009
Met's cinema shows hit high note
Tuesday, June 10, 2008
OSHA looking into fatal accident
Southaven Police Det. Lt. Mark Little said he provided the report after the agency contacted him about the accident."
Stuntman dies in bizarre fire filming John Woo epic
At least three people were injured in the accident during the shooting of the battle epic 'Chi Bi,' or 'Red Cliff.'"
Students count down to the moment they can fly in 'Peter Pan'
Man dies after scaffold collapses at Civic Center : DeSoto
The stagehand killed was identified Monday by DeSoto County Coroner Jeffery Pounders as Kevin Sinex, 45, of Windemere, Fla."

