The Theatre Times: With more than 4,200 shows making up this year’s Edinburgh Festival Fringe, twenty-four performances can hardly stand in for the whole thing. What follows is a subjective itinerary through a week shaped by my own tastes and curiosities, even if several stops were among the Festival’s conspicuous talking points. Across theater, comedy, clowning, and magic, certain motifs kept surfacing in parallel: the stories we tell about ourselves, the selves we perform for others, the seductions of visibility (both online and off), and the strange uses of laughter as camouflage, release, resistance, or simply a way of survival.
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