in 1: the podcast: The podcast is back and we’re not pulling any punches. Today we sit down with recent Tony Award winner Bradley King to discuss his lighting design for ‘Natasha Pierre, and the Great Comet of 1812.’ He traces the journey of the design from Ars Nova, where the plot was hardly more than chandeliers and lightbulbs, all the way to his massive, immersive design at the Imperial Theatre. Hear how he and director Rachel Chavkin developed the look of the show over 4 different iterations, how he ushered in the role of “Automated Light Bulb Winch Programmer” and what it’s like winning a Tony for your Broadway debut. Bradley is also very active in the 829 union negotiations and he and Cory discuss the recently updated LORT contract and review the various expenses for which designers on the road can be reimbursed. And he discusses being a young designer with a growing family and how that impacts his life and work decisions. Heat up the dumplings, pour yourself some Borsht, and join us for a great chat!
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