Intermission Magazine: Since the 1980s, Robert Lepage has left an indelible mark on Canadian and world theatre. Works such as The Dragon’s Trilogy, Tectonic Plates, Needles and Opium, and 887 embody his poetic, innovative approach to storytelling, mixing complex and simple technologies to create theatrical events at once intimate and cosmic. Ahead of Canadian Stage’s upcoming remount of The Far Side of the Moon, I sat down with Lepage over Zoom, and we spoke about the show and his career.
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