A Theatre of Elsewhere

The Theatre Times: For some of us, the critical process, our practice – that is, what we do – is a continuous and contentious intersection of reading, thinking, challenging, transgressing, swerving and writing. It is often an exploration of interstices, of betweenness, of neither as a space, of looking elsewhere, and so the conducive literary figures are those whose work accommodates such a stuttering process of contraction and expansion, what James Joyce has called peristaltic, as style and heuristic, one that is as much undoing as doing.