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Wednesday, November 16, 2022
Why My Journey With ‘KPOP’ Feels Like a Broadway Homecoming
AMERICAN THEATRE: In April 2017, Emily Shooltz, former associate artistic director of Ars Nova, reached out to gauge my interest in a “giant, immersive musical about K-pop.” My name was passed along by César Alvarez, who I had met shortly after they established the Polyphone Festival at University of the Arts in Philadelphia.
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