CMU School of Drama


Wednesday, November 09, 2022

Black child actor heckled and booed during Royal Opera House performance of Alcina

The Independent: A Black child performer was heckled during the Royal Opera House production of Alcina. The central London venue is currently showing the Handel opera until 26 November. On Tuesday (8 November), young actor Malakai M Bayoh gave his debut performance in the role of Oberto.

4 comments:

Rayya Gracy said...

This is so sad to hear that a young boy who wanted to express his voice through his love for Opera is ridiculed for doing so. To boo a child on stage is so repulsing, immature and just depicts the inner hate one has for themselves. Though the unity witnessed during this abrupt display of hate was very heart-warming as the members of the audience overshadowed this audience member through expressing large applause and cheers. Its great to see that people are not condoning this behavior and are actively contributing to the confidence and success of young boys such as Malakai. It is already rare to see black opera singers especially this young, so to discourage this young actor is very shameful and contributes to the lack of representation witnessed within the Opera industry. Thankfully, this Opera house is taking steps to ensure instances such as this one will not occur and that this particular individual will be punished for their disruptiveness.

DMSunderland said...

Honestly how much of an asshole do you have to be to boo a child offstage? I bet that child will have many negative associations with this moment for the rest of their lives instead of looking back fondly on this moment that should have been amazing. I agree that whoever did it probably has a ton of problems within themselves that they have never bothered to address, instead taking it out on innocent people that are actually succeeding and happy.

I'm glad that it seems the venue is attempting to take steps to prevent this hateful audience member from returning. People like that don't deserve to see people operating in such a vulnerable setting as live entertainment. It must have taken a ton of confidence and bravery for such a young child to get up on stage. I hope that his experience doesn't prevent this child from performing again.

Maggie Latham said...

This is absolutely disgusting. There is nothing that a child could do onstage that would result in me heckling them because even if it were something offensive, they are a child and they would not no any better and they need to be educated rather than punished. Added to the awfulness of this situation is the fact that this child is Black and clearly the opera community has some things they need to figure out as far as diversity, equity, and inclusion. It is good to see that the Royal Opera House is working hard to prevent this from happening again and that the audience member will not be welcomed back for future shows. It is also wonderful that not only does Bayoh have the support of people online who have been very outspoken about how appalled they are by the audience member’s behavior, but he also had the immense support of the rest of the audience that same night when they cheered in order to drown out the heckling.

Cyril Neff said...

This article doesn’t go too much into detail about what exactly happened at this event, and what may have exactly caused the heckling to happen, but I think it is such an important piece to talk about in terms of theatre etiquette and how to be a good audience member. Whether or not this was a racially motivated heckling is another question entirely; as it is absolutely inappropriate to begin with, especially when you consider that the person being heckled is just a child. However, it also opens the dialogue of theatre etiquette in the sense of whether or not it is ever appropriate to negatively react to a live performance unless prompted to by the piece, and quite simply, the answer is no. In a lot of cases, especially in the case of child performers, critique in general is simply not asked for, and even when it is, it is absolutely inappropriate to critique a piece in the middle of it, while the performers are putting themselves and their work out into the world.