VFX Voice Magazine: If you’re a visual effects compositor, you may tend to stick mostly to just one tool for your 2D work. So you may not be overly familiar with the latest features in some other compositing software that can help improve your productivity.
By identifying some key new features of the most popular compositing tools out there right now, you can find out about a useful feature or workflow in a tool you don’t currently use.
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Despite having no prior experience in video editing, let alone VFX, I still found this article to be very intriguing. One feeling that I got from reading this was that we are approaching a stage where machines are slowly becoming the artists too. The incorporation of machine learning aims to ease the workload for creators and make the process more efficient and time-consuming, which is undeniably extremely helpful. However, I do wonder at what point does the boundary blur? When will the machine start doing most of the work for us? And that point, who’s really the creator and owner of the content? It brings me back to an article about copyrights for A.I. generated artworks that I read earlier in the semester. The debate will only escalate as computer technology advances. On the other hand, I also think that with development in both hardware (such as Apple’s M1 chip) and software, content creators are having fewer restrictions in their process of creation.
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