CMU School of Drama


Thursday, November 16, 2017

Louis C.K. and Separating Artists From Their Work

www.vulture.com: After the news broke about Louis C.K. and sexual misconduct, my mind ran over C.K.’s work, his stand-up, his curmudgeonly late-night appearances, his intimate, formally adventurous TV works, and my thoughts landed on someone else. I thought about Lena Dunham. They’ve been linked in my mind for years, ever since I saw someone give a paper on the way both creators have used the familiar shape of a TV season to create innovative, boundary-pushing stories. Suddenly the comparison took on a new flavor — Dunham’s Girls was always a brilliant, challenging work, and it always became a referendum on her. It was occasionally framed as an indictment of all people her age; it was sometimes focused on a particular portrait of people who live in Brooklyn; it was sometimes seen as a show about the myopia of white feminism. But it was almost inescapably seen as a show about Dunham herself.

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