WIRED: During the Covid-19 pandemic, very few cinephiles have seen the inside of a theater, let alone a grand old one like the Castro Theater in San Francisco or the Paramount in Austin, Texas. Yet those who have recently watched Mank, David Fincher’s biopic about Citizen Kane screenwriter Herman J. Mankiewicz, might’ve noticed—or, more specifically, heard—something that felt old, something that sounded like it was coming from a 1930s theater, even if they were streaming the movie on Netflix. It’s eerie—and completely intentional.
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