ProSoundWeb: In this world that’s so connected by – and reliant on – technology, as sound designers we must understand that technology can’t solve every challenge, and further, we must explain this to the other members of the creative team. For example, 25 wireless microphones can’t be un-muted on stage at the same time without creating feedback issues, not to mention that it will sound like mush.
1 comment:
Really interesting article about this sound designer's approach to solving the challenges with sound design on a budget. Sound is one of those enormously expensive aspects of a production that really can't be scaled down in the way other technical areas can. The idea of letting the sound designer face and solve the challenges posed by budget and venue constraints is an important first step instead of just using everything that is available. For example, in 'Mamma Mia', if there are only a handful of wireless recievers, instead of constantly switching from performer to performer, you could make the design choice to use wireless handheld mics, adding onto the concert-like storytelling of ABBA and their music. Sometimes less can be more, but the sound designer should be the one figuring that out. This is along the same line of what George used in his production of 'Mamma Mia', and when we approach productions in this way it can ultimately lead to a better product.
One of the more interesting asides that George takes is when he talks about cuing the mics on/off. I've never really thought about having the SM call these cues, but have used QLab to mute/unmute mics and DCAs on digital consoles, which can be a huge advantage for large numbers with ensembles. This obviously requires a digital console and a professional QLab license, so that may not be the easiest option for those on a budget running an analog console with the free version of QLab, but it is a neat thought nonetheless.
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