The Clyde Fitch Report: The argument that the subscription model for theatre is dead and the counter argument that it is not dead, and, in fact, healthy and solvent, are well established. Nowhere was this better explored than in a 2012 article in American Theatre by Jonathan Mandell. The faults inherent in the subscription model and some surprising success stories and artful adaptations of it were catalogued and placed into context by Mandell with clarity and an even hand.
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