CMU School of Drama


Sunday, October 08, 2017

NFRTW Weekly Top Five

Here are the top five comment generating posts of the past week:

How The Supreme Court's Continued Misunderstanding Of Copyright Ruined Halloween

Techdirt: Earlier this year we wrote about a truly awful Supreme Court ruling concerning whether or not the design of cheerleader costumes could be covered by copyright. As we had explained earlier, this ruling could have a major impact on a variety of industries. The key issue is that "useful articles" are not supposed to be subject to copyright. Historically, that's always meant that the actual design of clothing or costumes is not protected by copyright law. And that's been a really good thing. It's inspired much more competition and innovation over the years in the clothing world.

Procrastination and deadlines

Unclutterer: o any of the following words sound familiar to you?

Me every time: “Should I spend ten minutes completing this task now or stress about it for four days first? The latter seems good.” — Kelly Ellis
My most reliable hobby is spending an hour putting off a task that will take two minutes to complete. — Josh Gondelman
An hour is amateur. I’ve gone months. Years. — Helen Rosner, replying to Gondelman

I just cleaned my cat fountain, a task that just takes a few minutes but which I’ve been putting off for weeks. I finally did it because I knew I was writing this blog post.

Leonardo da Vinci's Bizarre Caricatures & Monster Drawings

Open Culture: The caricature was once a highly-regarded art form, before it was cornered on the upper end by the New York Review of Books and on the more pedestrian side by boardwalk and street fair artists. During the European Renaissance and the ensuing centuries of artistic development, nearly every artist had a caricature side project—if only in the margins of their sketchbooks—and some, like Leonardo da Vinci, were widely known and appreciated for their skill in the art.

Want Broadway 'Harry Potter' tickets? It's complicated

Chicago Tribune: “Harry Potter and the Cursed Child,” which knocked me for six in London, is about to make profound and lasting changes to the commercial theater industry on this side of the Atlantic. Even months away from its opening on Broadway next April, this is already becoming clear.

Spot Operator Talks About His Route 91 Experience

Pollstar: Paul Weiss started his work shift Oct. 1 the way he always did. He dug his keys out of his jeans pockets, along with his wallet and spare change, and routinely dropped them into a storage bag that he stashed underneath the stage he’d be shining his spot on that evening.

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