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Fascination! Newsletter: "Mérédith Caron’s designs for CRISS ANGEL Believe had to be complex and multidimensional because so many of the costumes contribute more to the show than simply a look."
i very much like what the designer thought about not wanting to create replicas of victorian clothes, but to have those designs be a jumping off point for her modern designs. i think it is important for theatre artists to remember to not replicate, but to use research and documentation of the past as a jumping off point for their own original thought.
1 comment:
i very much like what the designer thought about not wanting to create replicas of victorian clothes, but to have those designs be a jumping off point for her modern designs. i think it is important for theatre artists to remember to not replicate, but to use research and documentation of the past as a jumping off point for their own original thought.
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