CMU School of Drama


Saturday, November 01, 2008

BELIEVE Premiere: Costumes

Fascination! Newsletter: "Mérédith Caron’s designs for CRISS ANGEL Believe had to be complex and multidimensional because so many of the costumes contribute more to the show than simply a look."

1 comment:

weandme said...

i very much like what the designer thought about not wanting to create replicas of victorian clothes, but to have those designs be a jumping off point for her modern designs. i think it is important for theatre artists to remember to not replicate, but to use research and documentation of the past as a jumping off point for their own original thought.