Community, Leadership, Experimentation, Diversity, & Education
Pittsburgh Arts, Regional Theatre, New Work, Producing, Copyright, Labor Unions,
New Products, Coping Skills, J-O-Bs...
Theatre industry news, University & School of Drama Announcements, plus occasional course support for
Carnegie Mellon School of Drama Faculty, Staff, Students, and Alumni.
CMU School of Drama
Monday, September 08, 2008
Somebody grab a Fly swatter
That, alas, is the story of The Fly, the opera by David Cronenberg and Howard Shore that had its North American premiere yesterday afternoon at the Los Angeles Opera."
Sunday, September 07, 2008
Beerfest kickoff marred by post-event accident, 20 hurt
IATSE makes peace with ONEXONE charity over Maple Leaf Gardens gala; action against Loblaw to continue.
The Future? Who Needs It?
The Downey Toxic Hell Hole
Hollywood wants tax breaks to film movie in Cleveland
Judge: Copyright Owners Must Consider 'Fair Use'
Theatre Facts
Cleveland Play House Awarded New Generations National Grant
Share Those Big Ideas!
University Lectures
***CANCELED***
Chris Borysenko
Director, MCS Interdisciplinary Laboratories and Lecturer, MCS Dean’s Office and Department of Biological Sciences
How to Teach an Interdisciplinary Course to First-Year Students
Thursday, September 11
4:30pm – Adamson Wing Auditorium, 136A Baker Hall
Giler Humanities Lecture
Sarah Igo, Associate Professor of History, University of Pennsylvania
The Averaged American: Citizens and Statistics in the 20th Century
Igo is the author of The Averaged American: Surveys, Citizens, and the Making of a Mass Public (Harvard University Press, 2006), which explores the relationship between survey data, opinion polls, sex surveys, consumer research, and modern understandings of self and nation. Her research interests are in modern American cultural and intellectual history, the history of the human sciences, the sociology of knowledge, and the history of the public sphere. She is currently at work on a cultural history of privacy, examined through legal statutes, technological innovations, professional codes, and re-imaginings of domestic life.
Co-sponsored by the Humanities Scholars, Science & Humanities Scholars, the Global and International Relations Program and the Department of Statistics
Monday, September 15
4:30pm – Adamson Wing Auditorium, 136A Baker Hall
Mark Palatucci, Doctoral Student, Robotics, Carnegie Mellon
100 Robots for 100 Kids: A grassroots project to inspire Pittsburgh’s children
Mark's research interests revolve around machine learning and pattern recognition. He works as part of the Brain Image Analysis Research Group, a team that develops machine learning techniques to analyze fMRI data. Specifically, he is working on machine learning problems that involve high dimensionality and very sparse training set data. He is also interested in transfer/lifelong learning, deep belief nets, and automatic feature synthesis.
Wednesday, September 17
4:30pm – Posner Center
CONSTITUTION DAY
Enjoy a light reception as we discuss one of the fundamental constitutional rights we get to exercise this November -- the right to vote. The Bill of Rights, an original copy on permanent loan to the University, will be on display.
Thursday, September 18
4:30pm – Adamson Wing Auditorium, 136A Baker Hall
Kathleen Hall Jamieson, Professor, Annenberg School of Communications, University of Pennsylvania
What the Rhetoric of the 2008 Campaign Reveals and Conceals
The lecture will analyze the convention acceptance addresses and advertising aired between the conventions and the date of the Carnegie Mellon lecture.
Sponsored by Carnegie Mellon’s Department of English, College of Humanities & Social Sciences, Heinz School of Public Policy, and The Humanities Center, and also the University of Pittsburgh’s Department of Communication
Saturday, September 20
8:00am – 5:00pm, Duquesne University campus
RACHEL CARSON Legacy Conference (co-sponsored by CMU)
Green Chemistry: Solutions for a Healthy Economy
Registration information*: http://www.rachelcarsonhomestead.org
*Interested students should contact Cathy Ribarchak (x8-8677; cr2) in the Office of the Vice Provost for Education for free registration.
Wednesday, September 24
4:30pm – Gregg Hall, Porter Hall 100
Steven Greenhouse, Labor and Workplace Reporter, New York Times
The Big Squeeze: Tough Times for the American Worker
New York Times labor reporter, Steven Greenhouse, will discuss his new book which details how life has grown tougher for America’s workers, young and old, middle-class and low-wage, white collar and blue collar, male and female, and what this painful trend will mean in this fall’s elections. He also examines how much of the American workforce is working more but earning less. Wages have stagnated, health and pension benefits have grown stingier, and job security has shriveled.
Thursday, September 25
4:30pm – Adamson Wing Auditorium, 136A Baker Hall (ROOM SUBJECT TO CHANGE)
Harriet Fulbright, President, J. William & Harriet Fulbright Center
Toward a More Peaceful World
Harriet Mayor Fulbright is President of the J. William & Harriet Fulbright Center, a non-profit organization which serves to advance the work of Ms. Fulbright’s late husband, Senator J. William Fulbright, and to continue her own lifework. The purpose of the Fulbright Center is to promote world peace and nonviolent means of resolving conflicts through international collaborations and education programs. The Fulbright Center partners with higher education institutions and interested individuals — students, teachers, scholars, and leaders — throughout the world in a range of services from assisting in building enriched study abroad programs to actively engaging higher education institutions in international peace making. Her lecture will focus on the growth and strength of the Fulbright Program and international education as a whole. It will emphasize its importance and give specific examples of those whose lives were transformed by study abroad. She will also discuss some international programs that have created greater international understanding, laying the groundwork for a more peaceful world.
Conservatory Hour
from 5-6pm in the Checco (Studio A)
This week’s focus will be a presentation on
Intent and Insight from the production team of The Other Shore.
Attendance is required for all freshman.
All others are strongly encouraged to come take part and show your support.
Saying Goodbye To Beijing
Bennett’s NIN Design
Local One Includes Lehman College Performing Arts Center Under Jurisdiction
Carnegie Mellon’s ETC developing new genre of calorie burning video games
Labor Day List: 8 Sobering Stats
Giving Opportunities Holiday Cards
Thinkwell Launches Thinkwell Project Management
PLASA Puts Sustainability Center Stage
New York City to Test LED Streetlights
Hometown Heroes Regional Winners Announced
PIFOF
EVERYONE 25 and UNDER!
See the world in a new way:
Performances that shake your certainty and challenge your senses.
Artists who boldly cross boundaries, mixing film / theatre / dance / music / ancient / modern / real / surreal to create something completely new.
All in three whirlwind weeks, October 10�25.
TICKETS ON SALE NOW!
BALLET MARIBOR Radio and Juliet
OCT 10�11 U.S. PREMIERE
Ballet Maribor marries Shakespeare’s classic with the music of Radiohead in a new take on timeless. Artistic director and choreographer Edward Clug has rocked international dance festivals with his unexpected juxtapositions of music and movement; in Radio and Juliet, he adds the twist of running the story in reverse. Driven by Radiohead’s relentless beat, this stark, utterly compelling version of the tragic romance defies you to tear your eyes away, every tightly choreographed move signaling a violent end to love.
Ballet Maribor
RUDRESH MAHANTHAPPA
Samdhi: Diasporic Connections
OCT 10�11 WORLD PREMIERE
A star in New York's jazz scene, this Indian-American alto sax player and composer explores the relationship between modern jazz and India’s centuries-old, divinely inspired traditions. To understand how at once cerebral and sizzling his music is, note that his last recording drew raves from both the jazz journal DownBeat and Science Magazine. Hear the world premiere of his newest work that blends southern India’s Carnatic classical music with technology, mixing western and Indian instruments in a dizzing ride ‘cross cultures.
Rudresh
PETER REDER Guided Tour
OCT 13�15 U.S. PREMIERE
Abandon your preconceptions for this outing with the British performance artist, who has recreated histories of famous historic buildings for audience “tour groups” in Edinburgh, Moscow, and Bucharest. Painstakingly researched, then refracted, his narrative is a brew of counter histories, philosophical musings, personal revelations, and downright lies—a provocative undermining of the expected. Venture belowstairs and behind the scenes of the Carnegie Museums of Art and Natural History in this mindbending experience.
Peter Reder
TEATRO DE LOS SENTIDOS/
THEATER OF THE SENSES
El Eco de la Sombra/The Echo of the Shadow
OCT 15�19, 21�25 U.S. PREMIERE
You enter alone; following a darkened path, you encounter performance tableaux that challenge and exalt the senses. Intensely personal, inexpressibly moving--a completely different experience for each and every member of the audience. This Barcelona-based company “investigates the poetics of the senses” in works that make the audience the main character of their own creative experience. Only 50 people will experience this performance each day/evening; order early to guarantee your place.
Teatro
KASSYS Liga
OCT 16�18 U.S. PREMIERE
Adventurous and off-kilter, this Dutch company plumbs the depths of the human psyche with unsettling and often uproarious results. In Liga, we see a story told in real-time flashback, and find ourselves drawn into a deception. The juxtaposition of film and live performance, the suggestion of interior monologues behind the onstage dialogue, and the awareness that, as audience, we are complicit in a deception, combine to make this company’s work as mind-blowing as it is hilarious.
Kassys
JO STR�MGREN KOMPANI The Department
OCT 23�24 U.S. PREMIERE
Enter the innermost and secret office of an imaginary government, where agents analyze and scrutinize society through peepholes, doors have long ago been sealed off for extreme secrecy, and mysterious orders arrive from above. The Norwegian dance-theater company brings a brilliant mix of theater, stylized movement, and invented language that carries the audience from hilarity to moments of shocked recognition--of their own entrapment in work, routine, relationships…life.
Str�mgren
13 Most Beautiful�
Songs for Andy Warhol�s Screen Tests
Composed by Dean Wareham & Britta Phillips
OCT 24�25 WORLD PREMIERE
Discover a selection of Warhol's legendary “Screen Tests”—beautiful and revealing black and white film portraits--set to a new score composed by Dean Wareham and Britta Phillips, whose dream pop band Luna was known for its churning and languid rhythms, entrancingly melodic guitar hooks, and clever, wistful lyrics. Step back—and forward—in time, and in art, in this multimedia performance featuring large scale video projection above the musicians performing on stage.
A project jointly commissioned by The Andy Warhol Museum and The Pittsburgh Cultural Trust for the Pittsburgh International Festival of Firsts.
(Image: Andy Warhol; Screen Test: Jane Holzer (1964) (detail); 16mm film, black and white, silent, 4 minutes at 16 frames per second. ©2008 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All Rights reserved.)
Warhol
GRAVITY OF LIGHT
OCT 10�30 NORTH AMERICAN PREMIERE
The sun pulls the planets around itself; the porchlight pulls the moth into its glow…New York-based artists (and identical twins) Doug and Mike Starn explore the fact and metaphor of the gravity of light—a power so vast and universal it is almost unnoticed. At the center of the exhibit is the Starns’ 13-foot homemade carbon arc lamp, an impressive structure serving as both a central work of sculpture and a scientific experimental device that illuminates with its blindingly bright ight the installations around it.
Gravity of LIght
DISCOVER / EXPLORE / ORDER NOW
PIFOF.ORG / 412-456-6666
Tickets also at the Box Office at Theater Square
Tickets only $10 for students and everyone 25 years old and under (with valid ID). Available by phone and in person at the Theater Square Box Office, 655 Penn Avenue in the Cultural District.
a project of PCTin association withAEM
PIFOF is presented as a signature event of Pittsburgh's 250th anniversary celebration.
The 2008 Pittsburgh International Festival of Firsts is supported by an Anonymous donor, The Pittsburgh Cultural Trust�s Carol R. Brown Performance Fund, Claude Worthington Benedum Foundation, The Grable Foundation, The Heinz Endowments, Joan Humphrey, Richard King Mellon Foundation, The Pittsburgh Foundation, The Ellis School, and The Rubinoff Company, Computer Enterprises, Inc. and Mastech.
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Summer's Last Blast
Dance away the last nights of summer to the musical samplings of DJ Nate Da Phat Barber, and take part in our silent auction where you can buy romantic nights out, outdoor adventure packages, museum tours, or fine art of your own.
Attire? Anything goes. Vintage sundresses, retro T's or dashingly daring cocktail dresses.
Come ready to astonish, to woo, to wow.
Come ready to have a blast.
Summer's Last Blast
At the Mt. Washington home of Peter Karlovich and Steve Herforth
207 Bailey Avenue, Pittsburgh, PA 15211
Monday, September 15, 2008
7pm - 11pm
$75 in advance
$85 at the door
For more information call 412.697.2929
To buy tickets visit ProArtsTickets.org
Host Committee
Bill Beary
Torey & Richard Beuke
Karla Boos & Joel Le Gall
Jessica & Jeff Brown
Rene Conrad
Lynn & Ron Davenport
Kate & Dave DeSimone
Jewell Fears
Jim France
Karen France
Linnea Glick
Charlie Humphrey
Michele & Brian Kerr
Karey Kluesner
Mimi & Enis Koral
Eric Kukura
Kate Lovelace
Pam & Ken McCrory
Susan & Sean McLaughlin
Mary Murrin
Betsy Ochester & Mike Sauter
Heather Pesanti
Renee & Lucas Piatt
Jeffrey L. Pollock, Esq.
Pasquale Navarro, Jr.
& Daryl Hutson
Scott Nelson & Brian Siewiorek
Sara Radelet
Hilary Robinson
Elizabeth & Joe Seamans
Joshua Siebert
Loretta Stanish & Rick Russell
Josh Storey
Danny Trusas
Abby Wilson
J-o-b - TD
Technical Director – Pittsburgh Public Theater (LORT B) is seeking a technical director for union scene shop. Candidate must possess a thorough knowledge of construction, automation, rigging, AutoCAD, and a valid driver’s license. Duties include drafting, budget management, scheduling, supervision of build and load-in crews, and maintenance of shop equipment and inventory. Must be able to analyze designs for costs and deliver finished scenery on time. The theater is an intimate 650-seat thrust, so quality workmanship is essential. Experienced applicants send letter and resume to: Payroll & Benefits Coordinator, Pittsburgh Public Theater, 621 Penn Avenue, Pittsburgh, PA 15222; FAX (412) 316-1624.
Celebrate the life of Professor Randy Pausch
Carnegie Mellon University will celebrate the life of Professor Randy Pausch, who died July 25 at age 47, with a special memorial event at 4:30 p.m. on Monday, September 22 in Rangos Hall.
Most of the Carnegie Mellon community is aware of the high level of public interest in Randy following his famous lecture and publication of the bestselling book, "The Last Lecture." To ensure that his friends and close associates can attend the celebration in person, attendance in Rangos will be by invitation only.
To allow others to be part of this service, the university has arranged for the entire event to be streamed live on ABCNews.com.
The university is encouraging its schools and colleges to organize their own gatherings of students, faculty and staff to watch the webcast. Links to the webcast on ABCNews.com will be available at http://www.cmu.edu/randyslecture
Like the video of Randy's Sept. 18, 2007 lecture, video of the memorial service will be posted soon afterward on the Carnegie Mellon channels of YouTube and iTunesU, as well as http://abcnews.go.com/GMA/LastLecture
"Remembering Randy: A Celebration of the Life and Legacy of Randy Pausch" will include recollections and tributes from a number of Pausch's friends and colleagues.
Questions about the memorial celebration can be directed to randy-memorial@andrew.cmu.edu.
Saturday, September 06, 2008
Stage Review: Grief gives way to healing song in 'Without You'
Stage Review: New Works Festival off to a dramatic start
‘Rent,’ Like ‘La Bohème,’ Appears Ready to Endure
Friday, September 05, 2008
Affecting 'Without You' shows promise
Concrete-Jet Printer Gets Caterpillar Funding: Print-Out Houses on the Way
The Week in Tools: Toolmonger Top 5
Jones's Rousing `Fela!' Brings Singer, Gadfly to Life
Sony Follows the Met Opera to the Movies
Sound familiar?"
In Need of More Tech, '9 to 5' Previews Will Now Begin Later
Patti LuPone plays Mama Rose in "Gypsy"
OnStage: Flights of fancy alight in Neverland
Playwright premieres new 'Shakespeare' play
He's riding high with Cirque du Soleil
Thursday, September 04, 2008
New job: Master Carpenter/Scenic Painter
Must have strong project planning, problem solving, and management skills; Ability to monitor budgets and to work with diverse ethnic and LGBT communities; Ability to lift 50 lbs; Must have a CA drivers license.
NCTC's mission is to champion innovative, high quality, theatre experiences for youth, adults, and artists to effect personal and societal growth, enlightenment and change.
This is a full-time position with benefits.
Resume with cover letter explaining why you'd like to work for NCTC and references to: Jackie Jordan, Managing Director, NCTC 25 Van Ness SF, CA 94102 or email to: jackie@nctcsf.org. No phone calls please.
Dates: Dec 31, 1969-Dec 31, 1969
Pay: $28K to $30K w/benefits
In the Wings: Elaine Stritch!
Stage Preview: Marathon and Mingle for New Works
Stage Preview: Rebirth of a 'Salesman'
'Once Upon a Mattress' puts twist on fairy tales
Want to cast polyester? Talk to Vincent de Rijk
Great White offers $1M to settle fatal fire suits
Within the Context of the Imagination
Giant robot spider ominously eyes Liverpool
Musical tunes up for sale?
Cultural Olympiad plans unveiled
Premiere of Rapp's Rock Memoir 'Without You' Opens in Pittsburgh
THEATRE: THE HOLY GRAIL OF MERCHANDISING?
'Les Miz' at Wolf Trap: Vive la Différence
Up for a ruthless challenge
Wednesday, September 03, 2008
Stage Preview: Play tackles subject of urban violence
Rob Ashford Brought in to Assist with Broadway-Bound Shrek
Bogart to Succeed Spencer in Broadway's Jersey Boys
Trafford's KidWorks program revisits 'Fable Factory'
Michael Berresse (DSC #217)
Sci-fi movie The Fly gets opera treatment
$30M production studio poised to give Pittsburgh film industry a big boost
Q & A with Scott Georgeson
Wall Street Journal: A must read for fashion, art?
`Rent' Gave Broadway Hipster Heroes, Monster Hit: Jeremy Gerard
This Fall, A Scarcity of New Broadway Plays
On Broadway this fall, it will be lonely pair — 'To Be or Not to Be' and 'Dividing the Estate' — that will qualify as new works in a season studded with starry revivals such as 'Equus' and 'All My Sons.'"
Talent Agencies Deal with Booming Youth Business
PRINCE: PUT ART BACK ON B'WAY
'Get dressed,' she said. 'We're going to the hospital.'"
Why Caryl Churchill is the Top Girl
Trying to Get to Lincoln Center? These Days, Practice Won’t Help
'August' Originals Dunagan, Reed, Murphy, Perry, Morton, Mayberry and More Are London-Bound
NFTRW Weekly Top Five
Carnegie Mellon Ranked Among the Elite by U.S. News & World Report
8 1/2 x 11 Newsletter: "Carnegie Mellon continued to have a strong showing in U.S. News & World Report magazine's annual Best Colleges guide. In the 2009 edition, the university ranks 22nd in the Best National University category. The Tepper School of Business undergraduate business ranking improved one spot to sixth best in the country, and the College of Engineering undergraduate programs remained ninth best in the nation."Bootlegged online theater clips cherished
SFGate.com:Spare thought for those who labor for entertainment
Pittsburgh Tribune-Review: "You don't see the hours of rehearsal, the years of classes, the bandaged blisters in the tap shoes, the steps tried and discarded.You're not supposed to think about how many years the actress spent steaming espressos at Starbucks to put herself through drama school -- or whether she's still working there to support her acting career.
Wondering where the costumer found that fantastic brocade for the Duke of Milan's coat or what store sells the drawer pulls the set designer used on the kitchen cabinetry tears a hole right through the heart of the show's carefully constructed fantasy.
When the rain starts in an outdoor arena and the company soldiers on as if oblivious, you may marvel at their concentration and determination as they hold onto their characters and keep the show moving forward.
You almost certainly give not a thought to the technicians who are getting soaked while holding umbrellas over the sound and lighting equipment to shield it from moisture -- or that when the show comes down, their attention turns not to seeking shelter but to covering the seats so they aren't damp for the next performance.
It's OK to do that tomorrow, though."
Stage preview: Politics of 'Wicked' survives changes from book to stage
Pros and Cons of Broadway Previews
NYTimes.com:Tuesday, September 02, 2008
Prince and Thomas to Star in Philly World Premiere of McNally's Unusual Acts
Leslie Uggams and Yaya DaCosta - Two Women as One Character, Exploring Connections
Screenshot Tour: StudyRails Manages Assignments and Study Time
Wagner offspring win epic family battle for opera
`Billy Elliot,' Harry Potter's `Equus' Lead New Broadway Season
RSC launches £1m theatre appeal
Mark Ravenhill on advertising
Convention helped put Denver on the art world's radar
"It was always going to be a crazy idea."
Review, Tenure, & Promotion
David Boevers
Catherine Moore
Tina Shackleford
If you wish to contribute to this important process, please put your comments into a letter and submit no later than Monday, September 8th, 2008 to:
Jen Chapman
Carnegie Mellon School of Drama
223 Purnell Center for the Arts
412-268-1581
jenc@andrew.cmu.edu
All responses will be held in confidence.
A French Marionette Tradition
'Memphis' captures rock's roots at the La Jolla Playhouse
Their show, 'Memphis,' tells how black rhythm and blues music began to reach white listeners on Southern airwaves during the early 1950s. First produced five years ago in Boston and the Bay Area, it's having a retooled staging in La Jolla."
The incredible lightness of being in charge
Pittsburgh’s bragging rights documented
Conn. film biz draws local ire
Monday, September 01, 2008
Spare thought for those who labor for entertainment
You're not supposed to think about how many years the actress spent steaming espressos at Starbucks to put herself through drama school -- or whether she's still working there to support her acting career.
Wondering where the costumer found that fantastic brocade for the Duke of Milan's coat or what store sells the drawer pulls the set designer used on the kitchen cabinetry tears a hole right through the heart of the show's carefully constructed fantasy.
When the rain starts in an outdoor arena and the company soldiers on as if oblivious, you may marvel at their concentration and determination as they hold onto their characters and keep the show moving forward.
You almost certainly give not a thought to the technicians who are getting soaked while holding umbrellas over the sound and lighting equipment to shield it from moisture -- or that when the show comes down, their attention turns not to seeking shelter but to covering the seats so they aren't damp for the next performance.
It's OK to do that tomorrow, though."
Stage preview: Politics of 'Wicked' survives changes from book to stage
'Wicked' returns to the Benedum
Gloom (and Rain) Set the Tone for New Plays at the Edinburgh Fringe Festival
1st Irish 2008 Theater Festival Features Voices From a New Ireland
At the Stratford Festival, Christopher Plummer Returns as Caesar, and Brian Dennehy Makes an Ambitious Debut
Best and worst of theatre
Bootlegged online theater clips cherished
After all these years, Broadway comes calling
Jeff Award nominations keep large and midsize theaters separate
Nikki Delhomme, 'La Cage aux Folles' (Theatre at the Center)
Ana Kuzmanic, 'The Comedy of Errors' (Chicago Shakespeare Theater)
Nancy Missimi, 'The Producers' (Marriott Theatre)
Nancy Missimi, 'Les Miserables' (Marriott Theatre)
Tatjana Radisic, 'Meet Me in St. Louis' (Drury Lane Oakbrook)"