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Tuesday, April 17, 2012
Right now, religion in theatre doesn't have a hope in hell
guardian.co.uk: By all rights, theatre ought to say its prayers. According to most origin stories, theatre emerged out of religious ritual, not once, but twice: initially courtesy of the ancient Greeks, and then again in medieval Europe, where many scholars trace the rebirth of theatre to the Quem quaeritis, a short section of dialogue in the Easter liturgy. But in New York, a city of 6,000 churches, 1,000 synagogues, and more than 100 mosques – to say nothing of the other faiths – drama often puts religion on stage only to criticize it.
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