NFTRW Weekly Top Five

Here are the top five comment generating posts of the past week:

New Disney Boss Cuts 1,000 Jobs Then Turns Around and Posts a Job Fair

disneytips.com: Walt Disney World is a place built on the idea that everything runs seamlessly, that every ride launches on cue, every light hits its mark, and every experience feels effortless to the people paying to enjoy it. What most guests never think about is the army of people behind the scenes making all of that happen, and right now, Disney needs more of them.

Pink to Host 2026 Tony Awards

www.billboard.com: P!nk, a lifelong theater fan, is set to host the 79th Annual Tony Awards, which will air live from Radio City Music Hall on Sunday, June 7. The show will broadcast live to both coasts on the CBS, and streaming on Paramount+ from 8 to 11 p.m. ET/5 to 8 p.m. PT.

He’s a Playwright, His Mother’s a Physicist—And They’re Performing a Show Together

Playbill: You might think that when playwright Shayok Misha Chowdhury asked his mother to be in his play, it would be a hard ask. But actually, it was pretty easy. “Everyone's always like, ‘How did you rope your mom into doing this?’ It really was like, can we make a physics meets theatre thing that interests the two of us?” He then turns to his mom, Bulbul Chakraborty, who’s sitting next to him, “and you were really game.”

AI In Hollywood: Saying Yes To Utility AI – And No To Generative AI

www.forbes.com: Hollywood has become one of the loudest voices of resistance to artificial intelligence, and for good reason. In an industry built on authorship, credit and creative control, generative AI has raised fundamental questions about who owns a performance, a story, or even a cut. But behind the headlines and strikes, a quieter shift toward utility AI in Hollywood is underway.

Surviving Coachella: Why Artist Safety Is A Contractual Negotiation

www.forbes.com: For the modern artist, the economic reality is uncompromising: touring is the cash engine. In a world where streaming royalties are structured like digital municipal bonds – slow, steady, and fractional – mega-festivals like Coachella are the high-yield assets. A single opening or headline slot can often be worth more than a year of catalog royalties, tempting artists to sign the festival contract with the biggest number and ask questions later.