Community, Leadership, Experimentation, Diversity, & Education
Pittsburgh Arts, Regional Theatre, New Work, Producing, Copyright, Labor Unions,
New Products, Coping Skills, J-O-Bs...
Theatre industry news, University & School of Drama Announcements, plus occasional course support for
Carnegie Mellon School of Drama Faculty, Staff, Students, and Alumni.
CMU School of Drama
Subscribe to:
Post Comments (Atom)
6 comments:
Ever since the Oscars this past Sunday I have been watching Frances McDormand's winning speech over and over again because I think that its poignant and confident, but also because I was really grappling what she meant by inclusion rider. I initially thought that she was going to end the speech with times up, but now the words "inclusion rider" has taken an all new meaning in Hollywood. The first people to be overlooked in any production process is the ensemble and the extras, but they are the people who make up the ethnic and cultural background of any given public scene. The issue with smaller roles isn't just that the roles are constantly played by white people, but often times the smaller roles that are domestic are written with a very particular stereotype in mind. In high school I had a teacher who played an Indian UPS delivery man on the tv show, Till Death, he was a jewish man with a slight tan. It's issues like these that make inclusion rider a necessary statement in the entertainment industry, to stop stereotypes, and stop the incorrect castings of the ones that exist.
I had never heard of an inclusion rider before reading this article. That being said, as described, Inclusion Riders sound like a great way to push diversity in movies. Bigger stars and actors with larger roles can stand up for the people in the background. Allowing these actors to get smaller and background parts gives them a start by having something to put on their resume. However, the plan that they have propose is a contingency plan. Even though there is a fine if the terms are not upheld, you are placing a bet on the company. The company could still choose to pay the fine and not use the inclusion rider or chose to ignore it. Even if the actor takes them to court, it is too late for the actors that would have gotten the roles. That being said it, may be worth it to take the risk. The scholarship fund sounds like a good way to increase diversity if the production chooses not to uphold these terms.
The idea of including diversity in a contract is pretty ingenious. This reminds me of the story about Octavia Spencer's white costars having to negotiate their salary along with hers so that she was being paid the amount that she deserves. Celebrities are in such a positions of power and high demand that if they use their privileges to help more diverse groups be represented and treated well on movie sets. Frances McDormand is incredibly fierce in her support of the fight for diversity and I'm very grateful that she spoke up about this because I would have never know that this existed and that people were doing this work until she brought my attention to it. I think it is worth it for actors to demand diversity in the things they are a part of because it is no fun to work on art with a homogenous group of people.
I agree completely with Joss’s point. When they talk about how actors in the spotlight have the responsibility to speak out and make sure that they are using their privilege to help minority groups get the rights they deserve. I am so glad I learned what an inclusion rider was and that it exists. I still wondering how exactly the inclusion rider is enforced. Kalpana Kotgal, the lawyer who explained what an inclusion rider said “that the inclusion rider isn’t about hitting a quota–it’s to ensure that studios are following best practices in their hiring processes” but I am wondering how this can be enforced or even measured that a studio is hiring under the best practices. I assume that the rider has a specifics about better hiring practices but I would just be interested in seeing them. I am very glad to hear that the two lawyers who pioneered this effort wanted to put the power in the actors’ hands because from what I know about some large casting agencies, they get swept up in numbers and making money instead of doing what is the best business practice.
While watching the Oscar’s, I was very inspired by her speech. I do have to admit that at the end I did not know what she meant when she said inclusion rider. I assumed it had to do with untiy but was unsure. However, after the speech everyone was wondering what it meant. Let me tell yall that this is brilliant. For someone who has star power to include this in there contract is amazing. Basically this holds the studio accountable for having a diverse background actors. While this should not have to be something in contract I am glad to see people are taking charge. Also I did not know that if the studio fails to do this, they would donate to a scholarship. This is incredible, because it holds the studio accountable legally and finically and if they fail to follow the rider they donate money. Hopefully in the future there will not be a need for this.
Like many others, when I heard McDormand's speech, I had no clue the concept of an inclusion rider. Being somewhat familiar with artist riders, it was an intriguing idea to hear. After reading this article, my mind is kind of blown. Even just something like an inclusion rider can make a huge change to the casting of entertainment programming. Thinking about all of the big name celebrities that would support this idea is at least in the hundreds. It could really be a game changer. As mentioned, it's not about meeting a quota, it's about making sure something is in place to make sure fair, diverse employment takes place on projects and not fitting minorities into stereotypical supporting roles. I think this practice of celebrities creating inclusion riders will be a big thing to come and I hope this legal tool will help support the growing diversity of casting in film, television and theatre.
Post a Comment