CMU School of Drama


Tuesday, February 24, 2015

Heavy-Hitting ‘Hammer Trilogy’ Envisioned as an American King Arthur Myth

AMERICAN THEATRE: For those who grew up on a steady diet of The Lord of the Rings, King Arthur and Superman, The Hammer Trilogy—currently playing at the House Theatre through May 3—may be treading familiar territory. Boy grows up poor. Boy discovers that he is the son of a king. Boy must lift a hammer that can be held high only by the true king.

Okay, so there may be some Thor in there, too, though director and cowriter Nathan Allen doesn’t see much difference between classical theatre and superheroes. “It’s just Greek theatre with capes instead of togas,” Allen figures.

1 comment:

Olivia Hern said...

This article didn't provide as much information as I would have liked, because this show looks intriguing. The battle epic is a staple in almost every culture, and the US, a melting pot of stories, as been consuming these myths in droves since the very beginning. Our own creation, the superhero, really shows our enthusiasm for the genre, but as the article notes, most such stories are found from other cultures. King Arthur, Thor, Lord of the Rings-- our appetite is insatiable. So this story, drawing from our own, less 'mystical' history, is fascinating change of pace. The show reminds me a little bit of Bloody Bloody Andrew Jackson in it's dramatization of the birth of a country. This show is different because it gains its own fairytale allure by putting kings in a country that recognizes none. The mishmash of cultures is both magical and deeply historical to our country.