CMU School of Drama


Tuesday, April 10, 2012

Toward a Visible Theatre

TCG Circle: How does one write a life? Where does the will to intervene socially and politically in culture begin? Certainly, not every playwright’s path is marked by an activist intent. Some writers choose what may be deemed a “more quiet, interior” position in the field. Others may choose to use the work itself as a vehicle to exhort and proclaim their beliefs. Others still may simply choose to amuse, to create divertissements to comfort and/or soothe their public. There are many roads, in other words, to a writer’s life. The first job of a writer, however, is to notice, to observe the world, to train the eye to really see and record, and sometimes to see what isn’t there but could be. As a playwright, my path so far has been marked by a daily practice of seeing that has expanded in its global outlook over the years.

1 comment:

Meg DC said...

These stories about what drives people are always fascinating. That way that Caridad Svich talks about who influenced her says a lot about Svich's work and her definition as a Latina writer. The parameters of her goals are smartly defined as not to try to represent the Americas, a task too broad for any single person, but instead defines where she and her Latin cultures fit into the Americas and it's cultures. I am excited about the staged reading of The Ways of Water she is coming to do with us!