Community, Leadership, Experimentation, Diversity, & Education
Pittsburgh Arts, Regional Theatre, New Work, Producing, Copyright, Labor Unions,
New Products, Coping Skills, J-O-Bs...
Theatre industry news, University & School of Drama Announcements, plus occasional course support for
Carnegie Mellon School of Drama Faculty, Staff, Students, and Alumni.
CMU School of Drama
Saturday, September 30, 2006
Speaking Out
'Denmark,' World Premiere About Slavery, Finds Sanctuary at Victory Gardens' New Home
The Last Virgin
Stage Reviews: New Work's third week offers 3 plays with great promise
From Onstage to Offstage
The play, which covers a period from the 1960’s to the 80’s, focuses on two middle-class African-American college students and how they were affected by the civil rights movement and the Vietnam War. Ms. Scott, who calls herself “a child of the 60’s,” said the time span of the play was a life-shaping period for her."
Friday, September 29, 2006
E-Mail Takes a Holiday, at Least for One Day
Club owners sentenced for 100 fire deaths
German politicians rush to secure opera
Suburbia
London Moon for the Misbegotten May Move to Broadway if Stars Are Willing
Who killed Blue Man Group?
Bush Nominates Dana Gioia To Another Term As Head Of NEA
Future succession to keep PSO busy
German Opera Shelved Due to Religious Content
Replacing a Symphony Stage -- Carefully
Made in China and (unfortunately) exported to the U.S.
New Low Notes - 1
Sales boom for Dirty Dancing show
Thursday, September 28, 2006
Equity Names Zimmerman New President
Schwarzenegger Speaks
Comedy at Apple Hill Playhouse to lend audience to laughs
Inside Imagination
An auditorium stalled in mid-renovation serves as both setting and theme for Quantum Theatre's latest venture.
The company's production of playwright Polly Teale's 'After Mrs. Rochester' opens tonight in the faded, yet still splendid, Music Hall of the Braddock Carnegie Library."
Stage Review: Johnson story lacks musical lift
Stage Preview: Yale grad returns to play Jean Rhys for Quantum
Berlin opera may stage "Idomeneo" if sure of safety
Spacey transforms "Moon" into London masterpiece
Heilpern: Theater
Spertus studies leadership issues facing area non-profits
Opposition forms to cigarette-tax proposal
Did Wicked Bewitch the Critics?
365 NATIONAL FESTIVAL: A Suzan-Lori play a day ...
Tossing Script for Live Broadcast Could Boost Some TV Ratings
Back to School: Share lecture notes with NoteMesh
How to choose achievable goals
Wednesday, September 27, 2006
Cultural Trust Announcement
FOR RELEASE: September 27, 2006
Contact: Veronica Corpuz, 412-471-6082 / corpuz@pgharts.org
Pittsburgh among only eight cities to host The Gate Theatre of Dublin in Samuel Beckett’s WAITING FOR GODOT
October 18-22, 2006, at the Byham Theater
Celebrating the centenary of Samuel Beckett's birth, The Pittsburgh Cultural Trust welcomes
This production of Waiting for Godot was first produced in 1988 at the request of Samuel Beckett himself. It was he who recommended that Walter Asmus, who had been his assistant director on the famous Schiller Theatre production, direct; and that Louis le Brocquy, the world-renowned Irish artist, design.
The Gate Theatre was founded in 1928 and has since become internationally renowned as one of the most adventurous playhouses in
Irish playwright, critic and fiction writer Samuel Beckett (1906-1989) was one of the great literary pioneers of the 20th century. His bleak imaginary landscapes examined the incomprehensible reality of humanity through new dramatic and literary forms. Beckett tirelessly explored the human condition in his work and was awarded the Nobel Prize for literature in 1969. Waiting for Godot, probably his best-known work, was written in French in 1949.
###
:::::::::::::::::: Select
The
Paul Taylor Dance Company
"One of the most exciting, innovative, and delightful dance companies in the entire world." -The New York Times
Direct from
The Gate Theatre of Ireland's Waiting for Godot
A Trust Presents Event
Byham Theater, Oct. 18 - 22, 2006
"The closest we will ever get to the perfect official Godot.a superb piece of work." -The Irish Times
::::::::::::: For a complete schedule, visit www.pgharts.org :::::::::::::
CFA Announcements
The Center for the Arts in Society at Carnegie Mellon University will kick off its 2006-07 Perspectives on the Arts in Society series with a presentation by musicologist and composer Jeannie Pool, who will screen her feature-length documentary "Peggy Gilbert & Her All-Girl Band," Sept. 27-28.
The event is co-sponsored by Pittsburgh Filmmakers.
On Wednesday, Sept. 27, Pool will present her film and give a talk at Pittsburgh Filmmakers, 477 Melwood Ave., in Oakland. The event will start with a reception at 6:30 p.m., followed by the screening at 7:30. There will be a second screening and discussion at 4:30 p.m., Thursday, Sept. 28 in Room A14 of Margaret Morrison Carnegie Hall on the Carnegie Mellon campus.
All events in the Perspectives on the Arts in Society series are free and open to the public.
Call 412-268-3239 for more info.
Looking Ahead____________________________________________________
Carnegie Mellon Philharmonic
Wednesday, October 11
Carnegie Music Hall
8 pm
Walter Morales, conductor
Call 412-268-2383 for more info.
Broadway-Bound Musical 'High Fidelity'"Spins World Premiere in Boston
The 7 deadly sins of resumé design
Advanced Gantt Charts in Spreadsheet
Advice for students: Twenty uses for a Post-it Note
Builder Agrees on Space for Theaters in Tower
Fear of offending Islam spurs hot debate in Europe
BLOOM IS FADING
In the last few weeks, the bottom has fallen out of the box office, and the cast has been playing to half-empty houses."
Michael Jackson, Madonna … 'Manon'?
Speaking Shakespeare's language
A Hollywood bow to faith-and-family groups
Tuesday, September 26, 2006
LAB Overload
As many of you are aware, after careful consideration, the staff and faculty have instituted a new way of selecting crew assignments for students beginning this year. We consider “crew” to be a LAB, one that is directly attached to classes in which you are enrolled. This idea allows us to assign students to production with motivation that is purely pedagogical and not driven by a need to staff a certain number of shows. Your show advisor considers your interactions on production a practical extension of your classroom work, and different from work in the class only in the fact that you have an audience for production.
At the end of last year, working in concert with Lab requests created by classroom instructors and directors, we thoughtfully assigned design students to opportunities that we thought would be the best learning experiences at this juncture of the individual’s learning curve. We made a very concerted effort to not over-task you. This system would appear to leave a number of “holes” in the production teams for many shows. Many of you, out of the goodness of your hearts and the depth of your talent and skill, have volunteered to fill some of these perceived “holes”. It’s critical that you know that the staffing on all of the shows is in direct response to Lab request forms that were collected last year. So, for example, if there appears to be a team member missing, it’s actually a response to a Lab request form and is a scope of show decision. The situation does not represent a “hole” There have been instances where we’ve had to fill in some gaps that truly turned out to be holes and we worked to staff those areas in the best interest of all involved with the production. In most cases, however, it’s a question (as it ALWAYS is, even with nearly infinite Resources) of how to do tell our story with what we have.
We’ve assigned you to what we have and the amount we have so that you can lead a balanced academic life and make the most out of your time here. If you feel like you’d really benefit from a production assignment that is in the volunteer category, vs. the Lab category, you must discuss the opportunity thoroughly with your advisor, so that your class/lab work is not put at risk. All new design and crew assignments must also go through David Holcomb and me or David Boevers, if you are PTM.
For more clarity on this issue, you may also have a look at our handbooks: http://www.cmu.edu/cfa/drama/about_us/handbooks/undergraduate_handbook.pdf and http://www.cmu.edu/cfa/drama/about_us/handbooks/graduate_handbook.pdf.
Thanks for your attention in this matter.
L.A.-to-Broadway Tuners Lead Ovation Noms
NEED CASTING DIRECTOR, ART DESIGNER, AND PRODUCTION ASSISTANTS
Politicians slam Berlin opera for canceling Idomeneo
Opera canceled, security cited
The Scanning of the Fittest
Hand baggage ban lifted on in-flight musical instruments
Monday, September 25, 2006
Production Planning - Props Assignment
I had a question for you concerning the project due on Wednesday. I have been to Pier 1, Arhaus, and Pottery Barn and none of them will rent out a table. I was wondering if you had any suggestions of places that you know would rent something out.
Answer:
It isn't a requirement of the assignment to find a place that will rent a piece, just sort of gravy. The real guts of the assignment is the decision of whether to buy or to build.
But for the sake of discussion... I would think that national chains, unless you have a relationship with the management are likely going to be a no-go. I might have thought you possibly could have had luck with Arhaus, but I am not surprised they won't. Weisshouse might be a possibility, especially if the item is in their clearance stock, but again, I wouldn't be surprised if they said no too.
Hitting Google shows you Cort. They are a national rental chain. Also a place with the name "Pittsburgh Rental Furniture" of all things. So there are rental options available in town - although I am not sure how many would rent to you if you told them you were doing a show.
Just remember for the assignment comparing the buy price with the build price is what you are going for.
Waiting for Godot
I still have some seats available for the Gate Theatre's production of "Waiting for Godot" at the Byham Theater. The tickets are for Sunday, October 22 at 1:00 pm. The group rate is $15.50 per person.
You can purchase tickets for this performance through Maria in the Drama Box Office, located in the lobby of the Purnell Center. Office hours are noon to 5 pm Monday-Friday.
Please stop by NO LATER than 5 pm Friday, September 29 if you wish to reserve a ticket.
Maria
Saints return to the Superdome
New York Musical Theater Festival
Soap actress to star in Public's 'Jackie and Marilyn'
Stage Review: Shaw Festival still satisfies on 3rd visit; fresh fare memorable
Arts groups turn to quirky fund-raising
Inside Miami's new cultural palace
Munitz lost quite a salary
ACTING UP: MOB SCENE
Sunday, September 24, 2006
Speaking Shakespeare's language
Disney wants infinite copyright
Don't You Love Farce? MI's BoarsHead Will Stage 'Unnecessary' Premiere, Complete With Doors
The New Hazlett may be just right
Like the lass in the fairy tale, artists and attendees have had to cope with performance spaces that were too big or too small -- and often too hot or too cold.
With last week's reopening of what's now called the New Hazlett Theater, they might have found a space that is just right."
From the South Side to the stage, how 'Raisin' came to be
Does Chicago need more downtown theaters?
The Prop Fetcher of 1950, With Quite a Future Ahead
A Chorus Line
Shubert Alley Hosts 20th Annual Flea Market Sept. 24
Patrick Quinn, New Executive Director of Actors' Equity, Dies at 55
Tuners try to save sizzle
They have to prep, both from a business angle and from an artistic perspective, for the possibility of a very, very long life."
The show must go on
A Long Day’s Journey Into Night
Saturday, September 23, 2006
Roy M. Brewer, 97, powerful union leader
New Tunes By Playwrights Horizons Songwriters Will Punctuate 'Songs on 5 Stories' Benefit
Stage previews: Short plays keep it brief in New Works' second week
Friday, September 22, 2006
Conservatory Hour
- New info about “Playground Week”
- Time-Management seminar
This session should run about an hour.
Junior Performance Project
Dates and Times:
"Scenes from an Execution"
Monday September 25 at 8 pm
Tuesday September 26 at 8 pm
"Hamlet"
Wednesday September 27 at 8 pm
Thursday September 28 at 8 pm
"See What I Want to See"
Friday September 29 at 8 pm
Saturday September 30 at 2 pm
Off Off Broadway
Stage Review: Artist gives 'Macbeth' a unique foundation
Or maybe 'Neighborhood Theater: Macbeth Does Drywall.'
Or, if you've been following the wonderfully eccentric career of Steve Pellegrino, performance artist, abstract poet, accordionist, composer, entrepreneur and professional drywall installer, as I have for two decades, 'Pellegrino Goes Legit.'"
2006 Tony Honors for Excellence to Be Awarded Oct. 24
Networks say indecency policy imperils live TV
RSC on mission to improve teaching of Bard in schools
Do Movie Audiences Have a Tin Ear?
MARY LINCOLN'S CASE NOTHING TO SING ABOUT
What ‘Women’ want: Biting satire
Did Critics Go Soft on Terry Johnson's Piano/Forte at the Royal Court?
Were Critics Warm to New Musical Daddy Cool?
Better read than dead
Smoking Bloomberg: sometimes killing people is OK
IATSE Organizes "Set For Life"
Advising as Teaching
Thursday, September 21, 2006
Rhode Island club owners, no contest to involuntary manslaughter
Phoenix Theatre Honors Praised and Bashed
117 Creative Ways for Students to Pay for College
Theaters set the stage for classic, contemporary productions
Stage Review: Brockett's top banana returns with a touch of vaudeville
Stage Review: Playwrights gives Wilson's 'Lesson' ambitious but uneven staging
State of the Art or Art of the State for Classical Music
Halting the Race to the Bottom
Barbican Celebrates 25th Birthday after £14m Refit
SUper Saturday Stage Lighting Seminar
In at the deep end
$5.7M project to double Children's Theatre space
"SPAMALOT* takes the local stage
Welcome to the New Hazlett Theater
How to "pace and lead" an irate person
Wednesday, September 20, 2006
University Lecture Series
Monday September 25th
4:30pm Adamson Wing, 136A Baker Hall
Portrait of the Angry Decision Maker
Professor Jennifer Lerner
Social & Decision Sciences, Psychology, and the
“Anyone can become angry -- that is easy. But to be angry with the right person, to the right degree, at the right time, for the right purpose, and in the right way -- that is not easy.” (Nichomachean Ethics, 350 BCE/2004)
Effective management requires unbiased judgment and decision processes. In recent decades, management researchers have produced a large and important literature illuminating how actual human judgment and decision making differs from the prescriptions of rational models (e.g., subjective expected utility). This literature, rich in successful applications, suffers from a critical weakness. It focuses almost exclusively on cognitive determinants of error and bias to the neglect of emotional determinants. Building on recent breakthroughs in emotion research, Professor Jennifer Lerner’s work seeks to rectify this omission. She examines how, why, and under what circumstances emotions influence judgment and decision making in social and organizational settings. Specifically, in the present talk, she will focus on the role of anger in judgment and decision making.
In portraying the angry decision maker, Dr. Lerner will present studies from a variety of empirical projects in her lab; all papers can be downloaded from her website: http://computing.hss.cmu.edu/lernerlab/papers.php.
Tuesday September 26th
4:30pm Adamson Wing, 136A Baker Hall
How We Became Addicted to Oil and How to Break the Addiction Right Now
Edwin Black
Award-Winning Investigative Author
Book Signing immediately following the lecture in Adamson Wing
The author of Internal Combustion, published in 2006, “Edwin Black connects the dots of greed and deception that have governed energy from ancient times to the present, and that threaten to destroy our future. Based on prodigious research deep into the historical record and previously unavailable archives, Black pulls no punches. He demonstrates exactly how power-hungry despots, avaricious monopolists, and bottom-line obsessed corporate oligarchs have long controlled where we get our energy and how we use it. Known for revealing “a century of lies,” the book lays bare the story behind the energy crisis—past, present, and future.”
Edwin Black is the award-winning, New York Times and international bestselling investigative author of 50 bestselling editions in 13 languages in 60 countries, as well as scores of newspaper and magazine articles in the leading publications of the United Sates, Europe and
Wednesday September 27th
7:00pm Gregg Hall, Porter Hall 100
The Wars in
Adeed Dawisha, Political Science,
Kenneth Stein, Contemporary Middle Eastern History and Israeli Studies,
Co-sponsored by the International Relations Program, the Dean of Humanities and Social Sciences, the Department of Social & Decision Sciences, and the Department of History
There are explanations for the seemingly endless conflict in the
Kenneth W. Stein is a Professor of Contemporary Middle Eastern History, Political Science, and Israeli Studies at
Adeed Dawisha is Professor of Political Science at
Thursday September 28th
4:30pm Adamson Wing, 136A Baker Hall
Institutional Transformation for Campus Sustainability
Director, Harvard Green Campus Initiative,
The lecture will be based on work of the Harvard Green Campus Initiative, an organization that now employs 17 full-time professional staff purely dedicated to the pursuit of campus sustainability at Harvard. The Harvard Green Campus Initiative is based on an entrepreneurial approach that has successfully made a business out of campus sustainability, ensuring that the University sees both significant financial and environmental savings through the implementation of a wide range of strategies, services and incentives. To date the Harvard Green Campus Initiative has reduced Harvard Greenhouse gas emissions by around 10% while saving the University over $6 million a year. The HGCI has worked on 13 green building projects including projects that achieving silver, gold and platinum certification with a dedicated focus on developing strategies for achieving cost neutral LEED gold and platinum building certifications.
This lecture will explore what it takes to get an organization as complex as a university to achieve significant and continuous transformation towards campus sustainability. Through the Harvard case study the lecture will explore various arenas of organizational activity including finance, building design, occupant behavior, adult learning, and the interface of politics, technology, human cognition, organizational culture and practice. This exploration will be purely dedicated to revealing and further exploring what it is going to take to achieve campus sustainability in our universities in the
CFA Announcements
Campus Events____________________________________________________
Please join the Regina Gouger Miller Gallery for an
ARTIST TALK
With Joyce Kozloff and Ann Messner
Friday, September 22, 5:30 p.m.
Kozloff and Messner will talk about "Disarming Images," political unrest, the role of the artist as activist, and related issues in the gallery.
Messner is the creative director of the video, as well as an adjunct at Pratt Institute, and has recently held positions at the Council of Humanities at Princeton University, Amherst College and Harvard University.
All events and exhibitions at the gallery are free and open to the public.
__________________________
The Carnegie Mellon School of Design will present a lecture and two-day workshop on book arts. The workshop will introduce students to letterpress printing, printmaking and innovative binding techniques. Two highly respected book artists, Harry and Sandra Reese, will lead participants in the creation of a books arts project based on a poem by Jim Daniels head of Carnegie Mellon's Creative Writing Department.
As publishers of poetry, prints and artist books, Harry and Sandra Reese set type by hand, print with hand presses, and produce art projects that feature their own papermaking. Their work integrates traditional as well as digital printmaking, edition binding, innovative book structures and collaborations with poets, artists, writers and thinkers.
Harry Reese is Professor of Art at UC Santa Barbara where he has taught book art, print, papermaking and media ecology classes since 1978. The experimental print and book art courses he taught in the College of Creative Studies at UCSB became the basis for a program he founded in 1985, which offers the only undergraduate major in "Book Arts" within the University of California system.
Sandra Reese does most of the printing and edition binding for their book publications (Turkey Press and Edition Reese) in their Isla Vista studio.
The most recent book of poems she designed and produced -- Kinnikinnick Brand Kickapoo Joy-Juice -- features selected "metafours" by Jonathan Williams along with her hand-inked stencils and experimental prints that accompany drawings by John Furnival.
The lecture will be held on September 22 at 7 p.m. in Margaret Morrison Breed Hall and is free to the public.
Call for Artists____________________________________________________
LUNAR GALA: CALL FOR DESIGNERS & MODELS
Lunar Gala is a fashion show and Carnegie Mellon's largest student-run event. You can get involved a number of ways! Upcoming events for those interested in designing or modeling for the show are as follows:
What: LUNAR GALA MODEL AUDITIONS
Date: Wednesday 20th, Thursday 21st and Friday 22nd September
Time: 2.30pm-5.30pm
Place: West Wing TV Lounge
Contact(s): Katy Lin (katyl@andrew.cmu.edu), Xiang Gao
(xiangg@andrew.cmu.edu)
Notes: Ladies, please bring high heels
**********
What: LUNAR GALA DESIGNER INFO SESSION
Date: Thursday 28th Septmeber
Time: 5-7pm
Place: MMC Breed Hall
Contact: Sophia Berman (sberman@andrew.cmu.edu)
See you there!
Lunar Gala Board 2007
CFA in the News___________________________________________________
Watch CBS Evening News with Katie Couric this Friday, September 22 at 7 p.m.
Assignment America host Steve Hartman interviews Nick Hudson, bagpipe major in the School of Music. The camera crew filmed the CFA building, Alumni Concert Hall, a Dalcroze class and other campus activities.
Thanks to all who voted for the story, the segment received 53% of the votes!
Four Plays Shuffled Together Create 'Generous,' a World Premiere, in Toronto
Reach Out and Network
Women Playwrights Fest on Tap at Synchronicity
17 Things Every Freelancer Should Know
Four actors with local ties having a ball in 'Spamalot'
Show-off showplace
Arts groups moving in the right direction
George Lucas Donates USC's Largest Single Gift
Pretension takes its toll in apocalyptic tale
'Action musical' with a lot of China, a little Broadway
Wilson's vision leads to the opening of 'African Company'
Robert Falls' 20 years: Hits and misses
Second Act
The Real Thing
Clambake
Evolved features enhance simplicity in wireless microphone systems | Manufacturers offer new options in wireless microphone systems
Tuesday, September 19, 2006
New job: Need Electricians/Lighting Tech\'s + Carpenter/Scenic
Da Vinci Fusion has a gig going on all next week in San Jose.
If you are an experienced lighting technician or carpenter with at least a little bit scenic background, we need you!
Please contact Kaia at kaia@davincifusion.com
if you have an interest in getting on our overhire list and starting off your fabulous first day in San Jose at the end of next week get in touch!
New job: Set Builder/Designer
Spear Ensemble Theatre is looking for a set builder/designer for an abridged version of Shakespeares Titus Andronicus. Opening will be October 13th, so someone is needed ASAP. The performances will be held at the Young Performers Theatre at Fort Mason. We need creative thinkers willing to bring their own ideas to the table. All proceeds of this production will be donated to 3 different non-profit organizations, one of which will be Each One Reach One. This is a great opportunity to help out the community while working with a great group of people. There is a small stipend available.
You can contact me for more info at jessicaschiavoni@gmail.com or call me at 415.378.0420.
Spear Ensemble\'s mission is to create emotionally bold, physical theater using storytelling as a bridge to community partnership. In partnering with non profits, whose mission align with the themes of the show being mounted, we are able to utilize story-telling as a tool for community building. A post show discussion, while the audience and key note speakers are still fresh from the visceral experience creates a powerful setting that gives the audience voice as a member of the expanded community. It is our intention that every individual walk away being awake to their own sense of power, engaged with community and valued for who they are and what they uniquely contribute.
Junior Performance Project
If you would like to make a reservation for any of these presentations, please email me or stop by the box office asap to ensure a seat on the day of your choice.
Dates and Times:
"Scenes from an Execution"
Monday September 25 at 8 pm
Tuesday September 26 at 8 pm
"Hamlet"
Wednesday September 27 at 8 pm
Thursday September 28 at 8 pm
"See What I Want to See"
Friday September 29 at 8 pm
Saturday September 30 at 2 pm
Clothes that race at 100 miles per show
Let's dance!
Invigorating Culture in Harlem
the Bruntwood Playwriting Competition
City encourages diversity behind the camera
Open the Door Campaign to further disabled access to theatres
'Still more to do' for status of women in industry, says Mirren
Lloyd Webber defends Maria plans
Monday, September 18, 2006
Grad 1 Acts
Shows include "The Eye of the Beholder" by Kent Broadhurst, directed by Allegra Libonati and "The Island" by Athol Fugard, directed by Dana Friedman.
Show times are:
Wednesday September 20 at 8 pm
Thursday, September 21 at 8 pm
Friday, September 22 at 4 pm and 8 pm.
Performances will be held in the John Wells Studio theater.
Tickets are free and will be available at the door one hour prior to curtain.
Seating is extremely limited!
'State of the Union,' the Pulitzer Winner About the Woman Behind the Candidate, Plays D.C.
'State of the Union,' the Pulitzer Winner About the Woman Behind the Candidate, Plays D.C.
My 5 Best Organizing Tricks
The Persians
Macbeth makeover: Play to showcase Oakland Square
FROM THEATER TO TV - Playing to a bigger crowd
Broadway Rewards
Hip-hop musical `Clay' can help mold a raw talent
'The Great Gatsby' gets the full treatment
Trinity professor to receive prestigious award for set designs
Sunday, September 17, 2006
Technical Direction - Stock Scenery Project
Hello. I have a question about our homework. I was about to make a list of large prop needs....however, I'm not sure what that means exactly. All I have down is a piano. Am I in the right ball park? I think I'm confusing myself. I guess I'm asking: is a large prop need a prop that is bigger than a hand prop?Answer:
Mostly I think things that would feel like furniture or architecture, but not absolutely limited to that. Tables, chairs, stools, benches, bars, doors, windows, desks, beds, couches - these are all kinds of things that would be in the realm. You would need to be more specific though, and there are certainly things I can't think of off the top of my head. That's why you should talk to some of the people that use the facility.