The Independent: At the halfway point of Suzie Miller’s one-woman tour de force, Prima Facie, the mood changes in a snap. Having swaggered and wisecracked her way around the stage for the first hour, Jodie Comer’s barrister Tessa Ensler seems to shrink, folding in on herself, unsure how to move or what to say. She has just been raped by a colleague. Someone she liked, who she’d fantasised about a future with.
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