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Saturday, March 08, 2014
Concert Review: ‘Sweeney Todd: The Demon Barber of Fleet Street’
Variety: Emma Thompson makes a smashing Gotham stage debut as the meat-pie maven Mrs. Lovett in the New York Philharmonic’s splendid staging of “Sweeney Todd,” more than holding her own in a cast of Broadway vets and alongside a formidable Sweeney, opera star Bryn Terfel. Continuing on from his 2011 NY Phil staging of “Company,” director Lonny Price offers a more conventional but no less powerful take on Stephen Sondheim’s grand guignol revenge opera than John Doyle’s stripped-down 2005 Broadway revival (in which the actors doubled as the orchestra), while what may be Sondheim’s most robust symphonic score comes to vibrant life under the hand of conductor Alan Gilbert. Two nights of this limited five-performance run will be filmed for future broadcast on PBS’ long-running “Live From Lincoln Center” series.
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I hope I can catch this performance on PBS! The fact that this performance is going to integrate the philharmonic as the set and props seems like a very interesting take on the tale of the Demon Barber. I hope the story still translates well for the story, but then again for the Raul's Company the cast heavily utilized instruments to tell their story and it, in many ways, enhanced the story. On another note, the cast is going to take the cake for this review: I mean, Emma Thomson and Audra McDonald? I need to see this!
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