TheatreFace: Unlike most of my contemporary sound designer colleagues, I didn't set out to be a sound designer. I ended up becoming one in a roundabout fashion.
When I began pursuing sound in earnest I discovered that although I was a capable designer, design simply wasn't my passion. What I was good at was live mix, maintaining a system, and running a crew. I wanted to be a mix engineer and an audio supervisor. While many of my friends were chomping at the bit to one day no longer have to operate shows, I was happy behind the console even doing playback or at the work bench soldering.
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