ProSoundWeb: Several years ago, I was fortunate in joining the sound team for noted country artist Trisha Yearwood as front-of-house engineer, and it was a rejuvenating experience for me as a mixer, to say the least.
In an audio world where technology (in general) and the digital domain (specifically) seem to reign supreme, the idea of using mostly analog gear with an A-list artist might sound downright outdated and ridiculous. Yet that’s exactly the road we took with Trisha.
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