HowlRound: Here Oceans Roar, the opera script that I’m in the midst of writing, had its inception in the silver salmon of the Salish Sea, and in the wheelhouses of women and men who fished off the West Coast of British Columbia during my summers on a salmon troller. In the writing of it, I’ve also drawn knowledge and sustenance from writers such as Melville and Coleridge, and from oceanographers and biologists, such as Anna Metaxis, Boris Worm, Kim Juniper, and Kate Morin.
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