Suzanne Foellmer: Choreography As A Form Of Protest

The Theatre Times: Erdem Gündüz’s Standing Man was originally a response to the ban on public assembly imposed after the 2013 protests in Gezi Park in Istanbul. Gündüz just stood there, looking at the Atatürk monument and not leaving. Others later followed his example and stood next to him. The action quickly went viral on social media. Maybe it wasn’t extreme in expression, but in any case, it was a very much an act of resistance to which the police didn’t know how to respond.