CMU School of Drama


Friday, June 16, 2006

What's Moor

Pittsburgh City Paper - Performance: "Michael J. Hood thinks about Othello in black and white, but not in the racial terms long dictated by American views of the play. To Hood, Othello is largely Shakespeare on war — specifically, war’s wake, as in the dislocation and bottled tensions that might have afflicted a remote, isolated locale following World War II."

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