'You can dream bigger': what writers prefer about stage to screen

Stage | The Guardian: A play in its conception is, for me, uniquely intimate and private. Eventually it grows to be the opposite of that and blossoms outwards, but there’s something about building it that initially feels delicate, fragile and personal. I think that might have something to do with my childhood; listening to conversations and writing things down, and that being the start of me thinking about plays.