CMU School of Drama


Friday, May 22, 2009

I Have Been to Hiroshima Mon Amour

'külr: "Much of I Have Been to Hiroshima Mon Amour is spent blurring the lines between 1945, 1959, and today, making a case for the collective sense of memory that belongs to us all. What is lost in Chiori Miyagawa's writing, then, is the requisite personal perspective. The sorrows that reach us are machine-made and form-fitting, as aesthetically pleasing yet predictably stated as Glenn Reed's rotoscope of a set."

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