Music | The Guardian:
Every night during Taylor Swift’s 2015 world tour, the runway sticking
out from the stage would take off and rotate like a propeller, carrying
Swift and her dancers over the fans’ heads. At the 2016 Oscars, five
glittering towers of statuettes loomed behind the host, like skittles
made of crystals, then turned into video screens. On Broadway and around
the world, Aladdin continues to fly on his magic carpet with no strings
attached. At the Omnia club in Caesars Palace, Las Vegas, the punters
are greeted by what is believed to be the world’s largest chandelier,
made up of moving parts that double as LED displays.
gizmodo.com:
It was only a drill. Staff at the Tama Zoological Park in Tokyo
recently chased an unlucky coworker dressed in a droopy chimpanzee suit
during an escaped animal drill. Eventually, the zookeepers shot at the
costumed human with a tranquilizer gun, loaded the poor guy into a
truck, and hopefully, paid for all the beers at happy hour.
The New York Times: A revolution is taking place on Broadway, and not just at “Hamilton.”
Theater owners, confronted day after day by long lines of women (and,
sometimes, men) clogging lobbies and snaking down stairwells while
nervously waiting for an available bathroom, are excavating, annexing,
converting and renovating their buildings to remedy the chronic
inconvenience. The biggest landlords are also retraining ushers,
experimenting with new methods of crowd control, and even reversing the
genders on restrooms.
The Mary Sue:
Scarlett Johansson has opened up about her decision to accept the role
of Major Motoko Kusanagi in the live-action Ghost in the Shell movie.
But her reasoning will probably disappoint you.
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