CMU School of Drama


Sunday, January 29, 2017

NFTRW Weekly Top Five

Here are the top five comment generating posts of the past week:

Merry Lynn Morris Invents a Wheelchair Fit for Dancing

WomenArts: A dancer glides across the floor in a long arc, arms outstretched, ending in a hypnotic spin. The audience breathes with her, delighting in her skill, grace, strength, and the remarkable invention that has given her so much freedom of movement. She dances in a wheelchair – a wheelchair whose wheels are hidden, that moves in all directions, and can pirouette.

High School Shuts Down Show with Gay Characters

OnStage: Today it was reported that a California High School has decided to shut down a student directed production of Jean-Paul Sartre's "No Exit". The students had already performed the show once but the rest of the performances were cancelled just hours before their second show.

How the ‘Mulan’ Reboot Has Some Asian Actors Hopeful for the End of Hollywood Whitewashing

VICE: Recent debate about Hollywood whitewashing has sparked conversation on how difficult it is for Asian performers to land a role free of stereotypes—never mind a leading role in a blockbuster. But Disney's upcoming live action reboot of Mulan—which will reportedly feature an all-Chinese cast— could set a precedent on how Asian actors are cast in Hollywood films.

A High School Censoring Its Production of 'Ragtime' Is What We Don't Need Right Now

OnStage: In Cherry Hill, NJ, the local school board is moving towards censoring Cherry Hill High School's production of Ragtime, by changing or removing the word in the script. A complaint from a parent of a student involved in the show, also led the local chapter of the NAACP to support the Board of Education's decision.

Purpose-built theatres are no match for cathedrals

WhatsOnStage.com: It all really began with a wedding. In 2008, two friends invited us to their civil partnership at Middle Temple Hall in London. From the moment we stepped inside the building, we were captivated by its beauty and sense of history. Over the preceding few years, we'd been staging theatre productions in unusual non-theatre spaces. We toured southwest France each summer, performing open-air Shakespeare in medieval town squares, gardens and castles, and had just finished a year long residency in an atmospheric but chilly derelict building in north London. We knew Middle Temple Hall's strong theatrical tradition, particularly as the location of the first performance of Twelfth Night in 1602, and so in 2011 – more in hope than expectation – we approached the hall about the possibility of staging a production.

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