NYTimes.com: There’s no question that the composer Dave Malloy’s “Natasha, Pierre & the Great Comet of 1812” breaks many of the rules that have accrued around American musical theater, from its mostly unrhymed lyrics and sung-through libretto, adapted from a small portion of Leo Tolstoy’s “War and Peace,” to the eclectic blend of classical and electro-pop sounds.
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