HowlRound Theatre Commons: I have paid close attention to German theatre—their repertory model, generous funding, and powerful shows that seem to prioritize directors—since I was introduced to it in university. It was antithetical to everything I was accustomed to in America, and I was intrigued. My latest trip to Germany, with the Goethe Institut to attend the Politik im Freien Theater Festival in Munich in November 2018, gave me an even better idea of it, in terms of its strengths and weaknesses and its independent scene.
No comments:
Post a Comment