Wednesday, September 28, 2016
HowlRound: I’ve written and spoken a lot about being a Native American playwright. You can find my talk during the 2011 TCG National Conference about what it means to be “exotic” in theatre here. Or my previous HowlRound post on common issues writers of color face in the business here. Or my TCG Circle blog to non-Indigenous writers that want to tell Indigenous stories here. Unfortunately, an issue that just won’t go away for me is casting. In fact, it is getting worse, but not in ways I expected.